A madcap, raunchy, unconventional text about medical abuses and literary art, infused with both humor and rage.
A struggling writer in Philadelphia tries to regain her creative footing after a botched surgery.
Sent to an eye clinic while dealing with her autoimmune disease, writer Cumin Baleen is told to get immediate surgery or risk going suddenly blind. But the procedure she undergoes “singe[s]” her brain, and she loses the ability to write anything but short, plain sentences. At the high-end grocery store where she works, called Sea & Poison, Cumin reads Shusaku Endo’s novel of the same name and meditates on human vivisection, “this need to experiment on the human, to puncture the human lung and see what happens.” After her "Unitarian Waldorfian" boyfriend announces he’s in love with their landlady, a professor of Oulipian literature, Cumin rents a closet in the bedroom of a polyamorous “theatre professional.” Dark, digressive, manic, and self-referential, the novel eschews traditional narrative structures: “I am organizing a novel now best I can, amidst the rivers and the piles of everyone, and walking only a broken, only an overgrown and burnt road in my mind.” When Cumin gets trapped at a reading, the first-person narrative switches to the story being read out loud. While some readers may lose patience, those who persevere will find seemingly unconnected strands converging around a conspiracy that involves human experimentation, writing constraints, capitalism, and our beleaguered protagonist. Beilin can be very funny, as when Cumin mistakes a Glade PlugIn (shell design) for a madeleine-shaped butt plug. But the real subject here is human suffering—and in particular the medical mistreatment of women—and the question at the heart of the book is: How do we bear witness to abuse?
A madcap, raunchy, unconventional text about medical abuses and literary art, infused with both humor and rage.Pub Date: Oct. 7, 2025
ISBN: 9780811239516
Page Count: 144
Publisher: New Directions
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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