Little deaths in the rain, in a first collection from novelist Gussoff (Homecoming, 2000).
A strong novella and ten stories twisted and wrung dry.
The inspired title novella, with a nod to Woolf’s The Waves, tells (in second person) of You’s lust for the glam life of Allison Victor, a girl You’s own age: “We were bound together in the sorority of poor childhoods, mild neglect, when promises are but puffs of air that carry us off with the power of tornados.” Both are addicted to schemes of escape. Allison rises from her cigarette-girl job at the Bump to writing a column for the New York Press for a year, then to a Village Voice column and, by small steps, upward to a Sundance scholarship. You, a poet, wins a Young Poets award of $5,000 for a first book, moves to Seattle with an actor boyfriend. She follows Allison’s life online through Allison’s Journal, which is at times well written enough to suggest that she is You’s Dostoevskian double, especially when Allison is spied on a Seattle bus and writes weather-soaked online laments. Allison’s strong memory: swimming underwater in the half-size Olympic pool out front of a motel run by her parents in a New York City suburb. Without warning, like Woolf’s Orlando changing sex, You has become Allison. Or is You still the poet Olive Halliday-Queen whom You spots from a bus seat? Mixed identities indeed! The story ends with a very big nod to Woolf. Among the shorts, “Stealing Purses”—about a woman, dumped by her boyfriend, who takes up stealing purses as if their contents will explain something (she always mails the purses back, everything intact)—has its attractions but remains strange, undertold, half-strangled. Others feature quirky, depressed heroines, sometimes heavy drinkers, their lives sifting through their fingers. From “Surface Reading”: “Sometimes I talk to photographs of myself. I ask them if they know we are going to die.”
Little deaths in the rain, in a first collection from novelist Gussoff (Homecoming, 2000).Pub Date: July 30, 2003
ISBN: 1-85242-459-1
Page Count: 192
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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