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ALL OF US

An earnest, moving expression of what the world needs now—and what children have always needed: love, sweet love.

Cut-paper collages encourage readers to remember that “love wins,” even during painful, confusing times.

Berger populates this buoying book with people of all hues, genders, and love configurations: same-sex couples, adoptive parents, old partners, young lovebirds, interracial couples, children, lots of pets. They stand together, aligned in a powerful, peaceful phalanx (many holding LOVE banners and posters) on the final pages—three double-page spreads of little people in long, long lines. Studying the artwork’s embedded ephemera (handwritten letters, grid papers, old catalogs, and clippings) evokes thoughts about how humans can connect across time. Between the book’s rallying beginning and end, succinct, powerful illustrations depict the worry and sadness that surface in both a small child’s life and the grown-up world. A brown-skinned girl tries (literally) to lift a heavy heart (shape) off the ground; a dragon hovers in an enveloping dark sky; fog makes a path forward hard to see. Berger reminds readers that there are helpers, always, “steady as stone,” with a palm outstretched, open, offering a smooth rock. Accompanying a picture of a handshake (one dark-skinned and another light-skinned), she asserts “we are stronger together.” Adults might hear echoes of a recent campaign, but children will see only the linking of hands atop a fertile green backdrop and recognize an empowering affirmation.

An earnest, moving expression of what the world needs now—and what children have always needed: love, sweet love. (Picture book. 2-10)

Pub Date: May 8, 2018

ISBN: 978-0-06-269413-3

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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