A tremendously welcoming survey of modern movie classics.
A master gives a guided tour of Hollywood films in the second half of the 20th century.
Legendary actor and director Reiner (Alive at Ninety-Five, 2017, etc.) begins the second of his captivating two-volume pictorial memoir in 1950, when he joined Sid Caesar and Imogene Coca on the TV series Your Show of Shows. The author continues through the highlights of modern Hollywood history, closing out in the 2010s with films like The Wolf of Wall Street, The King’s Speech, and Ocean’s Eight, in which Reiner reprises the cameo role of Saul Bloom he originated in the 2001 George Clooney remake of Ocean’s Eleven. As in the previous volume, the author here reverses the usual pattern of memoirs, presenting page after page of set photographs and striking movie posters and adding only minimal text comments, a feat of restraint that becomes all the more remarkable when his tour reaches classic films he directed, like That Old Feeling, The Jerk, and Oh, God! As he approaches the rawer and raunchier topicality of modern movies (including Blazing Saddles, the hilarious 1974 comedy directed by his frequent collaborator Mel Brooks), he refers to his own favorite contention: “Any sexy, dirty, racist or offensive joke is totally acceptable as long as it’s funnier than it is dirty, sexy, racist or offensive.” And he allows himself the occasional nod to industry scandal, as in the case of Sunset Boulevard: “On screen, Gloria Swanson played a vixen and off screen, she was a bit of a vixen, having an ongoing affair with the scion of one of America’s wealthiest and most prestigious families.” Throughout the book, there’s a tone of enthusiastic invitation, an undimmed sense of exploration (“If you haven’t seen the documentaries on the careers of Rita Moreno and Chita Rivera, get copies of them, invite some friends over and you’ll thank me”). The cumulative effect should convince readers that they are in the presence of one of the world’s oldest—and most passionate—film geeks.
A tremendously welcoming survey of modern movie classics.Pub Date: Dec. 31, 2017
ISBN: 978-0-9995182-1-2
Page Count: 421
Publisher: Random Content Publishing
Review Posted Online: Jan. 28, 2019
Kirkus Reviews Issue: March 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Strong language and strong medicine about the decline of the American economy, but marred by overwrought prose and Monday- morning quarterbacking. Rowen, a columnist for the Washington Post, attributes America's economic decline not to unfair trading practices by Japan or other external factors. It is, he says, a case of ``self- strangulation.'' Rowen examines the men and women who have made economic policy since the Johnson administration. Without attributing any venality (other than perhaps the playing of partisan politics) and admitting that people did the best they could, he nonetheless does assign blame for the low economic state to which the nation has sunk. Emerging from WW II as the only country with an industrial base untouched by war, the US was the most powerful nation on earth. Then, from the mid-1960s to the late 1980s, it went from the world's largest creditor to its largest debtor. Rowen ignores JFK, whom he knew personally and who arguably set in motion events leading to the problems Rowen cites. The current crisis, he argues, was initiated by Johnson's Vietnam adventure, which crippled the Great Society and set up a virulent inflationary cycle in its attempt to have both guns and butter. The blunders of LBJ gave way to Nixon's disastrous wage- and price- control attempts, and the abandonment of the gold standard. Ford and Carter were hamstrung by OPEC and were, according to the author, nothing short of inept. By far his harshest criticism is leveled at Reagan's ``voodoo economics,'' with its vain hope that wealth would trickle down from the top. Rowen also attacks Congress, describing it as spineless. For the future, he says, Americans will have to adjust to the economic rise of Asia, focus on high-tech industries, and become less greedy. Rowen's case is compelling, if not totally convincing. He also gives readers a poignant mini-memoir about the life of a newspaperman covering the powerful.
Pub Date: Aug. 1, 1994
ISBN: 0-8129-1864-9
Page Count: 352
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
An absorbing biography that will help Stead's fans place her fiction in the context of her life and may well attract new readers to her work. Christina Stead (190283), who was born and died in Australia (about which, writes Rowley, she was ``both nostalgic and patronising''), did her writing during her years in Europe and the US. Although she tapped real events and people for her fiction—and not just for her autobiographical novels, including the superb The Man Who Loved Children—she could be secretive in her private papers, identifying people by fictional names, writing in code, and ultimately destroying many documents. Despite this obstacle, Rowley (an Australian academic, currently a visiting scholar at Columbia University) offers a coherent and convincing portrait that reaches back into a youth in which Stead was overshadowed by her father, who first instilled in her a lifelong socialist orientation, insecurity about her appearance (he dubbed her ``Pig Face''), and a yearning to be adored by a man. When she arrived in London in 1928, Stead found just the man—William Blake (originally Blech), whom Rowley succinctly describes as a ``Marxist investments manager who seemed to know something about everything.'' Blake hired her to be his secretary, and Stead accompanied him to Paris, where their romance flourished—despite a wife who would not divorce Blake for 23 years. When the bank employing Blake collapsed, the pair fled to New York. Stead's writings earned only modest royalties even when favorably reviewed, and Blake could not find work, so they returned to Europe in a consistently difficult hunt for economic security that gave their lives a nomadic flavor. By 1949, Stead said to a friend, ``I have been a writer, quite unsuccessfully for twenty years,'' although a revival of interest in her work, which began in the mid-1960s, helped her return to Australia in 1969 as a famous author and ``Official Personage.'' A welcome study of an underrated author. (16 pages of photos, not seen)
Pub Date: Sept. 1, 1994
ISBN: 0-8050-3411-0
Page Count: 656
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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