A scholarly, entertaining look at the objectives and techniques of economic historiography. Cipolla (Economics and History/Berkeley) explains that economic historians must rely on business and political documents and other numismatic, artistic, and cultural evidence contemporary to the period they are studying, but cannot take such data at face value. Because of human error, purposeful falsification of records for a wide variety of motives, and lack of emphasis in certain cultures on precise record-keeping, the economic historian must play sleuth. In addition, Cipolla summarizes the myriad sources of economic history—including warehouse accounts, tax receipts, customs registers, legislative sources, contemporary statistical compilations, foreign intelligence reports, church records. Indeed, he shows, the most mundane residue from vanished societies (records of baptisms, legal records, deeds of gift, etc.) can provide the economic historian with valuable information. Cipolla argues convincingly that the modern community of economic historians, in its emphasis on purely mathematical analyses of economic aspects, has put too much distance between itself and purely historical scholarship. While recognizing that economic history investigates economic phenomena, he argues persuasively that economic history is a distinctly historical enterprise that uses tools different from those of economics to answer distinctly different questions. Cipolla's presentation of economic history as a humanistic rather than scientific discipline makes economic historiography seem fascinating and rather fun.
Pub Date: July 29, 1991
ISBN: 0-393-02977-8
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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