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THE ART OF DREAMING

The eighth—and one hopes the last—book about Castaneda's apprenticeship with the Yaqui Indian sorcerer Don Juan Matus. By now, Castaneda's bestselling engine is running on empty, at least to judge by this lackluster entry, which adds fuel to the argument that the Don Juan books are fiction and that their author has passed his creative prime. Gone is the vivid sense of wonder as Don Juan escorts Castaneda into a new world of mystery and magic; gone the crisp presentation of esoteric ideas; gone the crackling tension between teacher and student. What remains is a token representation of Don Juan, guffawing at Castaneda or smacking him on the back, and a cloud of confused teachings about the world of dreams. Taking control of one's dreams, says Don Juan, is the key to a sorcerer's power. But what kind of sorcerer? Don Juan makes a distinction between the ancients, who manipulated the world for personal power, and moderns—such as himself—who ``search for freedom.'' Castaneda must thread his way between these two opposing camps, balancing his thirst for truth and his personal ambition. In so doing, he passes through three ``gates of dreaming'': becoming aware of falling asleep; waking from one dream into another; seeing yourself asleep. Castaneda barges through these portals in his typically bumbling fashion, all the while communicating with—and being used by—``inorganic beings'' that look like thin tree trunks and give the sorcerers their secret knowledge. His journey ends with a perilous confrontation with a ``death defier,'' a Methuselah-like male sorcerer in the guise of a woman. Castaneda is rescued from this and other dangerous encounters by his fellow apprentice, the beautiful Carol Tiggs, who at book's close vanishes into the world of dreaming. Will Castaneda rescue her in the next volume, playing Orpheus to her Eurydice? Tune in, if you care. The Art of Dozing is more like it.

Pub Date: Aug. 4, 1993

ISBN: 0-06-017051-4

Page Count: 272

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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