Wilson Kimeli Naiyomah is about to return home, to a small village in Kenya. He has been studying to become a doctor in the United States. Amid a joyous homecoming, the children in the village ask if he has brought any stories. He has only one; one that has “burned a hole in his heart.” Naiyomah was in New York City on September 11. In gentle yet piercing present-tense prose, storyteller Deedy introduces readers to a young Maasai scholar who wants nothing more than to help a nation heal. In Maasai tradition, cows are sacred, and Naiyomah asks the elders to bless his cow so he can offer it to grieving Americans. In an incredible show of compassion and strength, other villagers join him. Fourteen cows in all, from one tiny Kenyan village, prove that hope and friendship can cross all boundaries. Gonzalez’s saturated paintings, glowing with oranges, reds and browns, radiate a warmth that is matched only by the Maasai’s generosity. A stirring, heartwarming tale that made headlines when it happened—and is now, thankfully, preserved on the page for children. (afterword) (Informational picture book. 4-8)
Pub Date: Aug. 1, 2009
ISBN: 978-1-56145-490-7
Page Count: 36
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
Medearis (Skin Deep, p. 860, etc.) offers an upbeat retelling of a story that first appeared in William J. Faulkner's The Days When the Animals Talked, about a slave who wins his freedom by offering his master a riddle he can't solve. The riddle is an elaborate one: The text follows Jim for a year as incidents from daily life give him ideas for clues. In the meantime, readers glean a picture of life on a plantation as Medearis peppers her sure- footed narrative with a variety of inventive phrases and images. The large, heavy oil paintings have a subdued palette, featuring mainly Jim and others on the plantation; the different postures in which the characters are depicted contribute to the expressiveness of the narration, as if they were actors in a theatrical piece. (Picture book. 5-8)
Pub Date: Oct. 1, 1995
ISBN: 0-525-67469-1
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
PLB 0-688-10259-X Taking a big step up from its glamorous, superficial predecessor, African Beginnings (p. 111), this volume looks at the history of slavery in Europe and Africa, plus the growth and decline of the New World slave trade, with a narrative that is closely based on contemporary accounts and full-color and black-and-white illustrations from a variety of sources. After creating a historical background for the Age of Exploration, the authors explain how the slave trade came to dominate commerce with Africa, describe in harsh detail the treatment of captives before and during the infamous Middle Passage, take up the topic of slave mutinies (including the Amistad revolt), and end with the slaves’ arrival in port. Cooper’s emotionally intense, soft focus scenes of agonized or downcast captives are interspersed with crisply reproduced, mostly well-chosen art from Ancient Egypt to a mid-20th century mural; back matter includes a detailed chronology to 1808, when the trade was outlawed in the US, and a well-founded bibliography. A strong summary of an epic historical tragedy that is both sobering and illuminating. (index) (Picture book/nonfiction. 9-12) . . . —Hopkinson, Deborah A BAND OF ANGELS Illus. by Ra£l Col¢n Atheneum (40 pp.) $16.00 Jan. 1, 1999 ISBN: 0-679-81062-8 This fictionalized version of the formation of Fisk University’s Jubilee Singers should be packaged with handkerchiefs, because by the end there won’t be a dry eye among readers. Taking to the road in the early 1870s in a last-ditch effort to keep their college open, an African-American chorus plays to nearly empty houses as long as they sing “the popular white songs”; when, led by their pianist Ella Sheppard, they switch to then seldom-heard spirituals and slaves’ songs, they go on to international fame. In Col¢n’s stylized, combed paintings, a golden light shines down on nine solemn, dignified people singing their hearts out; it’s a portrayal that is so convincing that readers will almost hear the music. Hopkinson (Birdie’s Lighthouse, 1997, etc.) frames her moving, inspirational account as a modern family story shared by Sheppard’s descendants one of whom is a librarian at Fisk today. (Picture book. 6-8)
Pub Date: Jan. 1, 1999
ISBN: 0-688-10258-1
Page Count: 48
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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