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WOMBAT SAID COME IN

A superb read-aloud balancing messages about the environment and generosity with humor and heart.

Wombat’s sense of hospitality is hard-pressed as other animal residents of the burning Australian bush seek refuge in his cool, safe, underground home.

From the start, the text seems made for a read-aloud: “Wombat was not worried. No, not a tittle. Fire had passed over his burrow before.” A delightful, full-bleed double-page spread depicts a cutaway of Wombat in his orange-toned burrow, while outside and above, readers see a pale sky and a drift of smoke. The mannerly marsupial—his patterned quilt wrapped over his collared, khaki shirt—settles in to have tea and wait out the fire. Immediately, he hears the first of many interruptions at his door. Wallaby is begging for shelter, and Wombat invites him in with a welcoming verse that becomes his standard reply each time another refugee arrives (“Wombat said, ‘Come in!’ / Wombat said, ‘Come in!’ / From smoke and din / and howling wind / come in, my friend, come in!”). The charming, easily learned mantra changes only when the crisis ends. Each succeeding guest is more demanding, from Kookaburra, Platypus, and Koala to tiny Sugar Glider. The dry wit of the text is matched by art that is both detailed in illustrating each animal and hilarious in showing poor Wombat’s trials. One of many funny touches is the fact that only Wombat wears clothing. Beneath the fun, however, lies the grim reality of climate change, tempered by lessons in zoology and, especially, practical altruism. (This book was reviewed digitally.)

A superb read-aloud balancing messages about the environment and generosity with humor and heart. (Picture book. 4-8)

Pub Date: Oct. 4, 2022

ISBN: 978-1-68263-321-2

Page Count: 36

Publisher: Peachtree

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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