A welcome, necessary rejoinder to critics of border policy on this side of the line.
A gathering of critical responses to the border crisis by Mexican poets, scholars, and activists.
Donald Trump is unquestionably the dark lord of this piece. Writes novelist Boullosa, “his peculiar blend of racism and xenophobia, opportunism and cynicism, foolishness and cunning, cruelty and hypocrisy demands attention.” Yet Trump is not alone. As several of the contributors to this anthology point out, Barack Obama deported more Mexicans than has Trump, though there were more arriving during Obama’s administration. Mexico, as linguist Yásnaya Elena Aguilar Gil points out, has its own brand of xenophobic nativists who wish to block off the country’s southern border: “Fear becomes hatred, and that hatred is given a legal justification, when in reality it’s nothing more than an administrative offense: coming into Mexico without papers is not a crime.” Walls, by the account of several contributors, speak to a failure of imagination, to say nothing of humanity. As Reforma founder and former editor René Delgado writes, the Trumpian wall to the north in particular represents "the deterioration of diplomacy, the perversion of politics, and something even worse: the capitalization of the misfortune of those who are forced to leave their country in search of opportunity.” Under Trump, in the guise of safeguarding the nation from “bad hombres,” the U.S. “has constructed the largest immigration detention infrastructure in the world,” infamous for holding illegal crossers—including many thousands of children—in what are called perreras, or dog pounds. When asked by novelist Valeria Luiselli whether she regretted trying to enter the U.S., one imprisoned woman said, “now I regret it, a thousand times. I think I’d rather die of one gunshot in my own country than let them kill me slowly in this one.” That one sentence speaks volumes about a system of injustice on both sides of the border that no wall, however high, can contain.
A welcome, necessary rejoinder to critics of border policy on this side of the line.Pub Date: Oct. 13, 2020
ISBN: 978-1-62097-618-0
Page Count: 256
Publisher: The New Press
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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