A welcome, necessary rejoinder to critics of border policy on this side of the line.
A gathering of critical responses to the border crisis by Mexican poets, scholars, and activists.
Donald Trump is unquestionably the dark lord of this piece. Writes novelist Boullosa, “his peculiar blend of racism and xenophobia, opportunism and cynicism, foolishness and cunning, cruelty and hypocrisy demands attention.” Yet Trump is not alone. As several of the contributors to this anthology point out, Barack Obama deported more Mexicans than has Trump, though there were more arriving during Obama’s administration. Mexico, as linguist Yásnaya Elena Aguilar Gil points out, has its own brand of xenophobic nativists who wish to block off the country’s southern border: “Fear becomes hatred, and that hatred is given a legal justification, when in reality it’s nothing more than an administrative offense: coming into Mexico without papers is not a crime.” Walls, by the account of several contributors, speak to a failure of imagination, to say nothing of humanity. As Reforma founder and former editor René Delgado writes, the Trumpian wall to the north in particular represents "the deterioration of diplomacy, the perversion of politics, and something even worse: the capitalization of the misfortune of those who are forced to leave their country in search of opportunity.” Under Trump, in the guise of safeguarding the nation from “bad hombres,” the U.S. “has constructed the largest immigration detention infrastructure in the world,” infamous for holding illegal crossers—including many thousands of children—in what are called perreras, or dog pounds. When asked by novelist Valeria Luiselli whether she regretted trying to enter the U.S., one imprisoned woman said, “now I regret it, a thousand times. I think I’d rather die of one gunshot in my own country than let them kill me slowly in this one.” That one sentence speaks volumes about a system of injustice on both sides of the border that no wall, however high, can contain.
A welcome, necessary rejoinder to critics of border policy on this side of the line.Pub Date: Oct. 13, 2020
ISBN: 978-1-62097-618-0
Page Count: 256
Publisher: The New Press
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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