by Carmen Martín Gaite ‧ RELEASE DATE: July 18, 1996
Variable Cloud ($24.00; Jul. 18, 1996; 374 pp.; 1-86046-061-5): A chronicle of female friendship, expressed largely through an exhaustive exchange of letters between two women who resume their long-dormant intimacy when each must grapple with the demons of middle age and unravelling relationships. Sofia, a wife and mother who leaves her mercenary, emotionless husband, and Mariana, a psychiatrist who can't help obsessing over her depressive lover, share their views on sex, politics, literature, and many other topics in a discursive, allusive correspondence and communion that is, alternately, absorbingly dramatic and painfully dull. This ambitious 1992 novel from one of Spain's leading writers (now translated into English for the first time) was a major success in Gaite's homeland, but may find a relatively lukewarm response in a culture where feisty criticisms of lamebrained machismo are not a novelty.
Pub Date: July 18, 1996
ISBN: 1-86046-061-5
Page Count: 374
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
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by Carmen Martín Gaite & translated by Anne McLean
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by Carmen Martín Gaite & translated by Margaret Jull Costa
edited by Anthony Doerr & Heidi Pitlor ‧ RELEASE DATE: Oct. 1, 2019
A fine celebration of the many guises a short story can take while still doing its essential work.
Latest installment of the long-running (since 1915, in fact) story anthology.
Helmed by a different editor each year (in 2018, it was Roxane Gay, and in 2017, Meg Wolitzer), the series now falls to fiction/memoir writer Doerr (All the Light We Cannot See, 2014, etc.) along with series editor Pitlor. A highlight is the opener, an assured work of post-apocalyptic fiction by young writer Nana Kwame Adjei-Brenyah that’s full of surprises for something in such a convention-governed genre: The apocalypse in question is rather vaguely environmental, and it makes Kazuo Ishiguro’s Never Let Me Go seem light and cheerful by contrast: “Jimmy was a shoelooker who cooked his head in a food zapper,” writes Adjei-Brenyah, each word carrying meaning in the mind of the 15-year-old narrator, who’s pretty clearly doomed. In Kathleen Alcott’s “Natural Light,” which follows, a young woman discovers a photograph of her mother in a “museum crowded with tourists.” Just what her mother is doing is something for the reader to wonder at, even as Alcott calmly goes on to reveal the fact that the mother is five years dead and the narrator lonely in the wake of a collapsed marriage, suggesting along the way that no one can ever really know another’s struggles; as the narrator’s father says of a secret enshrined in the image, “She never told you about that time in her life, and I believed that was her choice and her right.” In Nicole Krauss’ “Seeing Ershadi,” an Iranian movie actor means very different things to different dreamers, while Maria Reva’s lyrical “Letter of Apology” is a flawless distillation of life under totalitarianism that packs all the punch of a Kundera novel in the space of just a dozen-odd pages. If the collection has a theme, it might be mutual incomprehension, a theme ably worked by Weike Wang in her standout closing story, “Omakase,” centering on “one out of a billion or so Asian girl–white guy couples walking around on this earth.”
A fine celebration of the many guises a short story can take while still doing its essential work.Pub Date: Oct. 1, 2019
ISBN: 978-1-328-48424-6
Page Count: 320
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Yann Martel ‧ RELEASE DATE: June 1, 2001
A fable about the consolatory and strengthening powers of religion flounders about somewhere inside this unconventional coming-of-age tale, which was shortlisted for Canada’s Governor General’s Award. The story is told in retrospect by Piscine Molitor Patel (named for a swimming pool, thereafter fortuitously nicknamed “Pi”), years after he was shipwrecked when his parents, who owned a zoo in India, were attempting to emigrate, with their menagerie, to Canada. During 227 days at sea spent in a lifeboat with a hyena, an orangutan, a zebra, and a 450-pound Bengal tiger (mostly with the latter, which had efficiently slaughtered its fellow beasts), Pi found serenity and courage in his faith: a frequently reiterated amalgam of Muslim, Hindu, and Christian beliefs. The story of his later life, education, and mission rounds out, but does not improve upon, the alternately suspenseful and whimsical account of Pi’s ordeal at sea—which offers the best reason for reading this otherwise preachy and somewhat redundant story of his Life.
Pub Date: June 1, 2001
ISBN: 0-15-100811-6
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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by Yann Martel
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