An original, entertaining horror fantasy.
Cubist art runs amok and slaughters museum staff in this arty, high-concept supernatural thriller debut.
Georges Bosque, a master of the cubist style of painting, wanted his last works to be destroyed after his death—including a painting depicting two angels of death roaming a World War I battlefield. But Noelle Walker, the acquisitions curator at the Milwaukee Museum of Art, is happy to buy them from his widow, despite their spooky aura. Trouble starts when museum employee Bruce Mallory scans one of the paintings with a new computer-graphics gizmo that projects paintings in three dimensions. It works great with naturalist artworks, but cubist paintings are, well, different, and their projections cause bystanders to mimic their off-kilter geometry—eventually turning them into mangled heaps of flesh. Before you can say “non-Euclidean universe,” the gadgetry has liberated a ghoulish Bosque figure from its canvas to wander the galleries, looking for fresh victims. Noelle, Bruce and Noelle’s elegant boss, Geoffrey, must cope with art that’s gone off the deep end; at the same time, Noelle deals with her romantic feelings for Bruce and for Geoffrey, the father of her child. As the “malicious Cubist thing” passes paintings, they come to life, and threatened humans dive into pictures to escape the lurking danger—causing consternation among the paintings’ inhabitants, whose flatland world has suddenly been invaded. Art teacher Golembiewski creates an intriguing new menace which works its mayhem as artists do, by creatively reimagining space and structure—but with grisly real-world effects. Although the overall conceit is a bit cartoonish, she grounds it in subtle, psychologically realistic prose and a gallery full of sharply etched characters. (The sullen, liberally pierced goth art student who sets off the carnage is a particular hoot.) Although the subject matter may be lurid at times, the author’s fine brushwork keeps the picture sharp.
An original, entertaining horror fantasy.Pub Date: Jan. 29, 2013
ISBN: 978-1458207425
Page Count: 248
Publisher: AbbottPress
Review Posted Online: July 23, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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