THE STORY OF HALLOWEEN

Bonfires and full moons cast elongated, autumnal contact shadows in the glowing, curvy, stylized pictures that decorate this simple history of Halloween and its revelers. Beginning with the ancient Celtic/Druid tradition honoring summer’s end, and briefly considering the traditions of the early Romans, the British, the Irish, and Americans, Greene touches on the evolution of some of the customs and conventions of the long-celebrated change-of-seasons festival. Superstition and spirits, pumpkins and pranksters are included in the 18 pages of text, along with three ideas for jack-o’-lanterns and eight riddles, among them: “What is a spook’s favorite dessert? I scream.” There is no new trick here (except, perhaps, for the author’s assertion, unsubstantiated, that what readers may recognize as a lyric from the familiar carol, “Christmas is coming, the goose is getting fat . . . ” is indeed a traditional English Halloween ditty). It’s Bronson’s motion-filled, Miró-esque art of purples, oranges, yellows, and greens that’s the treat. (Picture book/nonfiction. 7-10)

Pub Date: Aug. 1, 2004

ISBN: 0-06-027946-X

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2004

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THE TRUE GIFT

A CHRISTMAS STORY

Newbery Medalist MacLachlan offers a quietly moving Christmas story that illustrates the power of children to change their world. Lily, the first-person narrator, and her younger brother, Liam, spend every Christmas vacation at their grandparents’ farm. Liam wants to buy a cow as a companion for the family’s pet, White Cow, who seems lonely out in the field by herself. By Christmas Eve, Liam has raised enough money to buy a calf companion, but there is also a Christmas surprise of several cow visitors brought by neighbors to keep White Cow company for the holiday. MacLachlan uses her typical taciturn style featuring dialogue and minimal description to convey the intense feelings of the sensitive little boy trying to accomplish a seemingly impossible task. Floca’s delicate, full-page pencil illustrations complement the text with understated emotion. (Fiction. 7-10)

Pub Date: Oct. 6, 2009

ISBN: 978-1-4169-9081-9

Page Count: 96

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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A Christmas cozy, read straight or bit by bit through the season.

HOW WINSTON DELIVERED CHRISTMAS

Neither snow nor rain nor mountains of yummy cheese stay the carrier of a letter to Santa.

So carelessly does 8-year-old Oliver stuff his very late letter to Santa into the mailbox that it falls out behind his back—leaving Winston, a “small, grubby white mouse” with an outsized heart, determined to deliver it personally though he has no idea where to go. Smith presents Winston’s Christmas Eve trek in 24 minichapters, each assigned a December “day” and all closing with both twists or cliffhangers and instructions (mostly verbal, unfortunately) for one or more holiday-themed recipes or craft projects. Though he veers occasionally into preciosity (Winston “tried to ignore the grumbling, rumbling noises coming from his tummy”), he also infuses his holiday tale with worthy values. Occasional snowy scenes have an Edwardian look appropriate to the general tone, with a white default in place but a few dark-skinned figures in view. Less-crafty children will struggle with the scantly illustrated projects, which run from paper snowflakes to clothespin dolls and Christmas crackers with or without “snaps,” but lyrics to chestnuts like “The 12 Days of Christmas” (and “Jingle Bells,” which is not a Christmas song, but never mind) at the end invite everyone to sing along.

A Christmas cozy, read straight or bit by bit through the season. (Fantasy. 7-10)

Pub Date: Sept. 17, 2019

ISBN: 978-1-68412-983-6

Page Count: 176

Publisher: Silver Dolphin

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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