A sweet baby shower book for religious parents.

DAY-OLD CHILD

Pearson’s popular poem gets complementary illustrations.

The short poem talks of a mother’s wish that her day-old child could understand her words so she could tell them all about God. “My day-old child lay in my arms. / In a whisper, lips to ear— / I said, ‘Oh, dear one, how I wish—’ / ‘I wish that you could hear.’ ” And as she whispers this wish to her child, she sees a light in the babe’s eyes and has the thought that perhaps the child similarly wishes for language so that they could tell their mother, before they forget, all about God: “I left God just yesterday.” Egbert’s sweet art keeps the focus on four separate mother-baby pairs that repeat in turn throughout the book. Three of these mothers seem to have opposite-sex partners, and one of these pairings is an interracial one; the fourth could be interpreted as one part of an interracial same-sex couple. All four, along with the various family members, are racially diverse. Figures are outlined definitively but with a soft, smudgy line that welcomes readers in. The soft colors and clear love seen on all the faces make this an attractive package for parents who are waiting to share the love of God with their little ones, though there is little here that will appeal to those little ones directly.

A sweet baby shower book for religious parents. (Picture book. 3-6, adult)

Pub Date: March 9, 2021

ISBN: 978-1-4236-5533-6

Page Count: 32

Publisher: Gibbs Smith

Review Posted Online: March 17, 2021

Kirkus Reviews Issue: April 1, 2021

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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  • Newbery Medal Winner

LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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