Over-the-top characters show up weak plot points in this psychological thriller.
A young soldier comes home after a 20-year absence to find his widowed father aged, his loyal housekeeper unchanged and his kid brother returning, piece by piece, after having vanished two decades before.
The disappearance of Josh, back when the two Hobbs brothers were teenagers, never made sense. Although no body had been found in the woods around their small Northern California town, Oren knew his brother was not a runaway. A sensitive and perceptive youth, Josh was also a gifted photographer, his snapshots often revealing more about their small town’s populace than was comfortable. But the inept investigation at the time had seemed to point to Oren himself, a seductive young man involved with several of the town’s women. These suspicions—and the unyielding personality of his father, a judge—had chased Oren into the Army, where he became a criminal investigator. When he comes back, believing wrongly that his father is dying, he makes a grisly discovery. Someone is returning Josh bone by bone, leaving the relics on the old judge’s front porch. It’s soon revealed that the mysterious visitor is leaving the remains of other victims as well. O’Connell (Find Me, 2007, etc.) knows how to get into a protagonist’s head, mixing guilt and suspicion as one shady character after another surfaces. But the plotting has gaps. The local sheriff is too trusting of Oren, and his unofficial deputizing of the surviving Hobbs boy is accepted without sufficient reason or questioning. The strange neighbors are all a tad too Gothic with their obsessions, addictions and curious scars. Multiple points of view let us into these bizarre characters’ heads, but none of them are as vivid as Oren, and the final effect is cartoonish rather than suspenseful.
Over-the-top characters show up weak plot points in this psychological thriller.Pub Date: Jan. 1, 2009
ISBN: 978-0-399-15514-7
Page Count: 352
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2008
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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