This Swiss-German import—originally written in English—delivers little other than a troubling crying-isn’t-OK message.
As in their previous outing, Five Little Ducklings Go to Bed (2013), all it takes is for one sibling to lose their cool about starting school, and the rest follow.
Although four of these little yellow ducklings are excited about donning their black-and-white–striped neckties and heading off to school, the fifth one’s tears and declaration that they’ll miss their mother are enough to get the waterworks flowing in all five. But mama duck pauses only a moment before kissing them all, telling them not to cry, reassuring them that it’s OK to miss someone and that they’ll remain in “each other’s hearts,” all the while continuing the morning routine and leading the ducklings to join other animal children at school. The five, who haven’t looked sad for several pages, “wiped their eyes, / Waddled off to school with their heads held high,” subtly sending the message that crying isn’t OK and must be suppressed. They all have a great day; indeed, there’s nary a tear from any of the new students, rather unrealistic for the first day of school. Roth’s verses are a bit rough; both the rhyme and rhythm frequently off. Julian’s ducklings are differentiated by their various hats but are otherwise interchangeable, and though the school scenes are delightful, the relationships among the ducks, which should be the foundation of the tale, aren’t demonstrably affectionate save for an ending family hug.
This Swiss-German import—originally written in English—delivers little other than a troubling crying-isn’t-OK message. (Picture book. 3-6)Pub Date: July 23, 2019
ISBN: 978-0-7358-4346-2
Page Count: 32
Publisher: NorthSouth
Review Posted Online: May 11, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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