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DEEP BREATHS

Though originally published in Australia nearly 10 years ago, it’s a fresh, relevant exploration of social-emotional...

Dolly and Jack are a pig and a rabbit whose lives are immensely enriched by their friendship.

Dolly and Jack love playing together. They bolster each other with continual giggles and compliments. When a day comes that they have an emotionally charged misunderstanding, it is devastating to them both. They go their separate ways and are shown individually processing their feelings of anger and hurt. They each use their own self-care strategies to return to a place of calm; Dolly takes deep breaths and a warm bath while Jack counts slowly and visualizes something that makes him happy. These individual practices allow each character to return to the friendship and start anew. The story is immensely in tune with young readers and does a wonderful job depicting the full process of self-regulation: Big feelings are identified and named, and known calming strategies are selected and implemented. The childlike illustrations are delightfully messy, with bold lines and colorful shading. Upon return to the friendship, the two friends are shown expressing their care through appropriate, gentle touch. The yoga poses thrown in at the end are more of a distraction than a meaningful addition, but it’s a minor flaw.

Though originally published in Australia nearly 10 years ago, it’s a fresh, relevant exploration of social-emotional regulation. (Picture book. 3-7)

Pub Date: Oct. 1, 2019

ISBN: 978-1-9848-9397-0

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: July 6, 2019

Kirkus Reviews Issue: July 15, 2019

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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