Weatherford’s compressed poetic homage to Coltrane’s early influences relays biographical details through metaphors evoking sound: “Before John was a jazz giant, / he heard Grandpa’s Sunday sermons, / Mama playing hymns for the senior choir, / and the scoutmaster’s call to join a band.” Five other stanzas, each beginning with the titular phrase, both convey 1930s references (Bojangles, big bands) and presage Coltrane’s musical arc to come (“he heard…a saxophone’s soulful solo, / blue notes crooning his name.” Qualls’s mixed-media full-bleed spreads employ a color palette (blue, sienna, ochre, white) and sonic iconography similar to (and not exceeding) his much-praised work in Dizzy. Circles and bubbles populate each spread, standing in for the emanations of Grandma’s cooking pots, the setting-sun sadness of a family funeral and sweet possibility, as John “picked up that horn.” Layout conspires nicely to deliver Weatherford’s final couplet over two full spreads: “Before John was a jazz giant, / he was all ears.” (author’s note, selected recordings, reading list) (Picture book/biography. 5-8)
Pub Date: April 1, 2008
ISBN: 978-0-8050-7994-4
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
A solid sequel, easily accessible to readers who missed Volume 1.
A fictionalized young Shaquille O'Neal returns for a second illustrated story about life beyond the basketball court.
Little Shaq and his cousin Barry come home from the rec center giddy about Little Shaq's first three-point shot but are greeted with another surprise. For the first time, Little Shaq's mom has made sushi for a family dinner. Barry and the others dig in, but Little Shaq's curiosity about sushi only hits him after the last roll is gone. Little Shaq's joy and confidence on the court—best expressed when Little Shaq exuberantly tosses a postgame grape into Barry's mouth ("Three points!")—contrast strongly with his unease trying new foods or activities. A large part of the book concerns a school art project, and Little Shaq's frustration is made poignantly clear through both illustration and description ("Little Shaq crumpled up his drawing and marched back to the supply tables"). Throughout, the love among Little Shaq's family members shines through in their interactions, and the story delivers a message without triteness. Taylor’s full-color illustrations break up text on almost every page, adding warmth and energy. (Final art not seen.)
A solid sequel, easily accessible to readers who missed Volume 1. (Fiction. 5-8)Pub Date: April 26, 2016
ISBN: 978-1-61963-844-0
Page Count: 80
Publisher: Bloomsbury
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
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