Exquisitely understated design lends visual potency to a searing poetic evocation of the Birmingham church bombing of 1963. The unnamed fictional narrator relates the events of “[t]he year I turned ten,” this refrain introducing such domestic commonplaces as her first sip of coffee and “doz[ing] on Mama’s shoulder” at church. She juxtaposes these against the momentous events of the year: the Children’s March in Birmingham for which the narrator missed school, the March on Washington and the mass meetings at church that she found so soporific. The same matter-of-fact tone continues to relate what happened “[t]he day I turned ten:” “10:22 a.m. The clock stopped, and Jesus’ face / Was blown out of the only stained-glass window / Left standing. . . . ” Documentary gray dominates the palette, the only color angry streaks of red that evoke shattered window frames. The poems appear on recto accompanied by images of childhood—patent-leather shoes, pencils, bobby socks—while full-bleed archival photographs face them on verso. It’s a gorgeous memorial to the four killed on that horrible day, and to the thousands of children who braved violence to help change the world. (Poetry. 10-14)
Pub Date: Sept. 1, 2007
ISBN: 978-1-59078-440-2
Page Count: 40
Publisher: Wordsong/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
An optimistic journey of self-acceptance.
Debut author Machias’ novel explores genderfluidity and gender nonconformity as elements of navigating middle school.
Told in two alternating narrative voices, the story follows Ash and Daniel, a pair of Ohio seventh graders who are on a shared mission to rescue an old dog the world doesn’t seem to have room for, a not-so-subtle metaphor highlighting the vulnerabilities faced by all abandoned souls. Throughout their growing kinship, Ash and Daniel struggle with the divergent expectations of those around them: Ash with shifting gender presentations and Daniel with his emotionality and sensitivity. Entering a new school and feeling pressured to pick and disclose a single gender, Ash’s conflicts begin with trying to decide whether to use the boys’, girls’, or gender-neutral bathroom. The school’s diverse Rainbow Alliance is a source of support, but Ash’s parents remain split by more than divorce, with a supportive mom and a dad who tries but fails to understand genderfluidity. Daniel, who has a talent for photography, is a passionate animal lover who volunteers at a local kennel and initially believes Ash is a girl. Ash’s synesthesia amplifies the tension as Ash and Daniel discover a mutual romantic interest. The novel grapples with the impact of society’s overly simplistic messages, but the characterizations at times lack depth, and there are missed opportunities to explore the subtleties of relationships. Main characters are White.
An optimistic journey of self-acceptance. (Fiction. 10-13)Pub Date: June 8, 2021
ISBN: 978-0-06-305389-2
Page Count: 368
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
This coming-of-age story about diverse characters coming to grips with their layered identities rings true.
An Indian American boy struggles with his sexuality and mental health while finding a place for himself in seventh grade.
Rahul Kapoor may not be sure about his sexuality, but he is sure of one thing: This year, he wants to make an impression. Inspired by a story his grandfather tells him, Rahul decides that the best way to impress his classmates—and, in the process, to protect himself from bullies—is to pick something and be the best at it. With the help of his fiery best friend, Chelsea, a white girl who wisely, consistently steers Rahul toward being himself and doing what he loves, Rahul tries a number of activities before settling on Mathletes, where he soon becomes a star. But when Japanese American Jenny asks him to the Sadie Hawkins dance, and when his Mathletes career doesn’t go as planned, Rahul spirals into an anxious depression with symptoms of OCD that force him to confront and eventually accept exactly who he is. In his author’s note, Pancholy notes that Rahul’s story is semiautobiographical, and it shows. Every character in the story is nuanced and sympathetically rendered, and the book does not shy away from racism, sexism, ableism, or homophobia. The protagonist’s devastatingly honest voice pulls readers deeply into a fast-paced journey riddled with heartbreakingly authentic moments of anxiety, confusion, and triumph.
This coming-of-age story about diverse characters coming to grips with their layered identities rings true. (Fiction. 10-14)Pub Date: Oct. 8, 2019
ISBN: 978-0-06-286641-7
Page Count: 336
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
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