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OUTSPOKEN

PAUL ROBESON, AHEAD OF HIS TIME: A ONE-MAN SHOW

This inspiring volume leaves nothing out.

Weatherford and Velasquez explore actor Paul Robeson’s remarkable achievements.

Written as a “one-man show” in the first person, this tale in four acts highlights the phases of Robeson’s remarkable life (1898-1976). He adored his father, who was born into slavery and gave Robeson every chance to develop mentally, physically, and spiritually. Robeson excelled as a scholar and athlete, and in college he developed his skills as a performer. Although he studied law, other opportunities led him to the stage, where his acting and singing moved crowds both at home and abroad. He took advantage of his fame to speak out against oppression wherever he went. Robeson enjoyed positive experiences in the Soviet Union, where he found that racism didn’t curtail his life as it did in the U.S. When the Red Scare villainized Soviet and Communist sympathizers, Robeson refused to denounce communism; the government took away his U.S. passport, and his life and livelihood became limited. Lengthy verse, presented in double columns and a small typeface, is accompanied by powerful, painterly images, many based on actual photographs, set against a white background. Informative, insightful, and comprehensive, this book will be a valuable addition to reference shelves, classrooms, and anywhere older elementary children are drawn to learning more about legendary American changemakers.

This inspiring volume leaves nothing out. (timeline, source notes, bibliography, copyright acknowledgments) (Picture-book biography. 8-12)

Pub Date: April 16, 2024

ISBN: 9781536212976

Page Count: 48

Publisher: Candlewick

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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UGLY

An apt choice for collections that already have stronger alternatives, such as R.J. Palacio's Wonder (2012).

A memoir of the first 14 years in the life of Australian Robert Hoge, born with stunted legs and a tumor in the middle of his face.

In 1972, Robert is born, the youngest of five children, with fishlike eyes on the sides of his face, a massive lump in place of his nose, and malformed legs. As baby Robert is otherwise healthy, the doctors convince his parents to approve the first of many surgeries to reduce his facial difference. One leg is also amputated, and Robert comes home to his everyday white, working-class family. There's no particular theme to the tale of Robert's next decade and a half: he experiences school and teasing, attempts to participate in sports, and is shot down by a girl. Vignette-driven choppiness and the lack of an overarching narrative would make the likeliest audience be those who seek disability stories. However, young Robert's ongoing quest to identify as "normal"—a quest that remains unchanged until a sudden turnaround on the penultimate page—risks alienating readers comfortable with their disabilities. Brief lyrical moments ("as compulsory as soggy tomato sandwiches at snack time") appeal but are overwhelmed by the dry, distant prose dominating this autobiography.

An apt choice for collections that already have stronger alternatives, such as R.J. Palacio's Wonder (2012). (Memoir. 8-12)

Pub Date: Sept. 6, 2016

ISBN: 978-0-425-28775-0

Page Count: 208

Publisher: Viking

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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