Morrison’s illustrations set the stage for Weatherford’s rhythmic history in verse, breaking from hip-hop’s early influences to today’s global hip-hop takeover.
This celebration begins, appropriately, with the ancestors. An homage to Afro-descendent “folktales, street rhymes, and spirituals,” along with images of Langston Hughes and Paul Laurence Dunbar, is juxtaposed with a backpack-toting black male with a crisp fade and T-shirt emblazoned with the signature words of Notorious B.I.G.: “It was all a dream.” This slogan recalling the dream of Martin Luther King Jr. highlights how the art form has served a dual purpose for hip-hop heads to get down at the party as well as to unify on the streets. Weatherford demonstrates how James Brown’s funk matched with Jamaica’s dub was present in DJ Kool Herc’s Bronx block parties, at which hip-hop’s birth is formally credited. But Weatherford and Morrison don’t stop at the music. Graffiti artists on the subway lines of NYC, B-boys and B-girls on the cardboard dance floors, and the unforgettable hip-hop fashion are featured prominently, albeit with a heavy regionalist emphasis on its East Coast–reppin’ legends. Bronx-born superproducer Swizz Beatz provides the foreword, honoring the role models that paved the way to his flourishing artistic career. (There are relatively few artists from outside New York and New Jersey featured, though some come through in thumbnail biographies of both male and female artists in the backmatter.) A glossary of classic hip-hop terminology is included along with an author’s note and an illustrator’s note.
No way around it, this book is supa-dupa fly, with lush illustrations anchored in signature hip-hop iconography for the future of the global hip-hop nation. (Picture book. 4-14)Pub Date: Jan. 15, 2019
ISBN: 978-1-4998-0411-9
Page Count: 48
Publisher: Little Bee Books
Review Posted Online: Sept. 30, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: CHILDREN'S ENTERTAINMENT & SPORTS
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Actor Kruger embraces her unusual name and bestows her daughter with a name with special significance.
To many, the name Diane doesn’t sound odd, but when the author was growing up in Germany, it didn’t “sound German at all, like Anna, Lena, or Heidi.” In this picture book, Kruger reminisces about the meaning of her name and how she came to appreciate it. Delicately drawn illustrations with a light watercolor wash first depict a young, blond, White-presenting Diane in red patchwork overalls with her blue-kerchiefed pet bunny, Benny. To escape childhood taunting, Diane reads to Benny as Puss in Boots, Little Red Riding Hood, and other fairy-tale characters look on. When her mother explains she was named for a goddess, presumably the Roman goddess Diana, “a fearless huntress, strong-willed, with magical powers,” young Diane begins to wonder what her own special powers will be. After she and her mother travel to London, depicted with diverse citizens, and Diane sees a play for the first time, she realizes her gift is storytelling. Adult readers, especially fans of Kruger, will recognize illustrated scenes from several of her movies. She concludes with a tribute to her daughter and the distinct name she gave her and asks children to ponder their own names and powers. Though the art is attractive, overall, this quiet, understated tale will resonate more with caregiving readers than with children. (This book was reviewed digitally.)
A self-affirming tale with limited appeal. (Picture book. 4-8)Pub Date: Oct. 25, 2022
ISBN: 978-1-66265-091-8
Page Count: 48
Publisher: minedition
Review Posted Online: June 22, 2022
Kirkus Reviews Issue: July 15, 2022
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SEEN & HEARD
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 27, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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