by Carole Boston Weatherford & illustrated by Eric Velasquez ‧ RELEASE DATE: April 1, 2000
A brief history of African American music told in rhyme and dramatically rendered oils. Weatherford tells her story in rhymed couplets, perhaps an unfortunate choice to render so vibrant an art form. The rhymes tend to be clunky: tree / ebony; whines / hard times; rocked / flock; as they move from music sprung from the sounds of nature in Africa—the drum and the kalimba—to slave ships and auctions, and people singing of freedom in the fields. The blues, the cakewalk, gospel and swing take us to Duke and Calloway, and finally to rap and hip-hop. Velasquez’s oils have a flair for the sweeping gesture or crucial moment: a family running to freedom raise their eyes to the night sky for guidance; a grizzled banjo player and a blues man are seen lit from below; paintings of Lady Day, Ella Fitzgerald and other greats are based on well-known photographs. There are numerous picture books for young people that cover this territory with more energy and delight; most notably i see the rhythm (1998). (Picture book. 5-8)
Pub Date: April 1, 2000
ISBN: 0-8027-8720-7
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
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by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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