An enthralling thriller.
When her identical twin sister goes missing, a Scottish writer living in Los Angeles returns home.
On Sept. 5, 1998, identical twins Ellice and Catriona show up at Edinburgh's Granton Harbour at dawn, covered in blood and badly beaten, seeking passage aboard a pirate ship. That was the day their second life began. Fast-forward almost two decades and the now 31-year-old twins are estranged. El is married to their childhood friend Ross and living in Edinburgh in the house on Westeryk Road where the twins had lived with their mother and grandfather. Cat is single and living in a condo overlooking the Pacific Ocean in Southern California. When El goes missing while sailing, Ross calls Cat, and she rushes back to Edinburgh. Cat is convinced that El is fine because she has an unshakable belief that she would have felt it if her sister were dead, and the cruelty of going missing is exactly what she would expect from El. Returning to her childhood home stirs up long-buried memories for Cat. Front and center among those are the endless hours the pair spent with Ross and a host of imaginary friends in Mirrorland, their name for the secret covered alley next to the house that was the setting for their childhood adventures on the high seas, in the Wild West, and at the prison from The Shawshank Redemption. Author Johnstone has created a dark, twisting thriller that explores the pitch-black corners of people’s minds; how good and bad, love and hate, terror and joy can co-exist; and how childhood memories can be rewritten with time as the lines between imagination and reality are blurred. Fans of Gillian Flynn's creeping dread and Liane Moriarty's nuanced morality and complex relationships should love this book.
An enthralling thriller.Pub Date: April 20, 2021
ISBN: 978-1-982136-35-2
Page Count: 320
Publisher: Scribner
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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