A carefully designed book that brings the past and the hand-created objects of the past to full-blooded life.

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MADE BY HAND

A CRAFTS SAMPLER

Fourteen “one-of-a-kind” Colonial American objects are given stories of how and why they came to be. 

Taking actual objects crafted in the 18th and 19th centuries in mostly the northern and eastern parts of the United States, Schaefer spins stories to give the objects historical context and life. Some objects have been well-documented and so the stories around them are factual, but others’ histories are more shrouded, so Schaefer has taken the liberty of imagining, using authentic details to the time period, their creations. Illustrator Stadtlander matches these stories with primitive gouache paintings that evoke the work of the limners of the era and are full of rich, saturated colors, incorporating appropriate details and creating an authentic atmosphere with their style. Adding to the Colonial Americana look is the Eric Sloane–like display type used for headings and the onomatopoeic words (which cleverly mimic the sounds of the objects’ creations). Except for those depicted in the stories of a tin box crafted by a freed slave in Virginia in order to carry his freedom papers and of a bandolier bag crafted by an unknown Ojibwe, all people illustrated are white. The objects run the gamut, including a circa-1850 scrimshaw pie crimper, an embroidery sampler from 1798, and a terrestrial globe from 1810.

A carefully designed book that brings the past and the hand-created objects of the past to full-blooded life. (author’s note, further information) (Informational picture book. 6-12)

Pub Date: Oct. 9, 2018

ISBN: 978-0-7636-7433-5

Page Count: 48

Publisher: Candlewick

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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This 2015 New Visions Award winner offers a complex narrative and inspires readers to check their privilege to address...

AHIMSA

Although Kelkar’s debut novel takes place in colonial India in the 1940s, when Indian citizens were fighting for independence from British rule, it is uncannily timely: 10-year old Anjali grapples with issues of social justice in many of the same ways young people are today.

When Anjali’s mother quits her job to become a freedom fighter, Anjali is reluctant to join the struggle, as it means she will have to eschew her decorated skirts and wear home-spun khadi (hand-woven cotton) instead, inviting the mockery of her school nemeses. But as her relationship with her mother evolves, her experience of and commitment to activism change as well. When her mother is imprisoned and commences a hunger strike, Anjali continues her work and begins to unlearn her prejudices. According to an author’s note, Kelkar was inspired by the biography of her great-grandmother Anasuyabai Kale, and the tale is enriched by the author’s proximity to the subject matter and access to primary sources. Kelkar also complicates Western impressions of Mohandas K. “Mahatma” Gandhi—Anjali realizes that Gandhi is flawed—and introduces readers to Dr. B.R. Ambedkar, a figure rarely mentioned in texts for young people in the United States but who is best known for campaigning against social discrimination of Dalits, or members of India’s lower castes.

This 2015 New Visions Award winner offers a complex narrative and inspires readers to check their privilege to address ongoing injustices. (Historical fiction. 8-12)

Pub Date: Oct. 1, 2017

ISBN: 978-1-62014-356-8

Page Count: 304

Publisher: Tu Books

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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