by Carole Lindstrom ; illustrated by Aly McKnight ‧ RELEASE DATE: Feb. 25, 2025
This reverently told story is a true gift.
A daring Indigenous child embarks on a thrilling adventure.
Set in the 1880s, this tale follows young Rose and her family to the biannual Métis buffalo hunt, where hundreds of families convene in the hopes that “this hunt [will] be better than the last.” Rose’s pa is one of the captains, and Rose is eager to help him track mashkode-bizhiki. When he instructs her to stay at camp, she listens at first, but after hunters go a week without finding buffalo, the intrepid child goes scouting. Rose’s resourcefulness and daring shine as she strikes out on her own and employs the wisdom of her family: remaining determined despite miles without a sign, “thanking the buffalo for the gift of their life,” and donning a wolfskin to approach a distant herd without startling them. Rose returns with the good news, to her parents’ gratitude and gentle chiding for her disobedience. Lindstrom (Anishinaabe/Métis) captures the youngster’s resolve and excitement, while McKnight’s (Shoshone-Bannock) gorgeous watercolor and graphite images bring to life elements of Métis culture, particularly in stirring depictions of life at camp. Intergenerational basket weaving, elders dancing, roaring cook fires, and children at play—all impart Métis traditions, set against the beauty of the Plains; readers will be as moved by McKnight’s illustrations as they are by Rose’s ingenuity.
This reverently told story is a true gift. (author’s note) (Picture book. 5-9)Pub Date: Feb. 25, 2025
ISBN: 9781547606887
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Jan. 30, 2025
Kirkus Reviews Issue: March 1, 2025
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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