by Caroline Gutmann ‧ RELEASE DATE: Aug. 1, 2001
A revelatory look into Lamaze writ large—the man and the arduous process that gave birth to his pain-reducing approach....
An unexpectedly engrossing portrait of Fernand Lamaze and the road he took to make universal his method of painless childbirth, fashioned in novelistic style by his granddaughter Gutmann.
Working from interviews, family documents, letters, diaries, and notebooks, Gutmann has drawn an intriguing picture of Lamaze, starting with his move from Nancy to Paris as a young medical student and following him through the absinthe-and-brothel nights that preceded his years in the army, his service in WWII, and his return to Paris and subsequent marriage to Louise. Penury forced Lamaze to abandon the study of neurology and take up obstetrics. Although he became a notorious philanderer, his heart was clearly in the right place as far as his work was concerned, and he financed his treatment of poor and working-class women through the success of his growing practice among the city’s wealthy. Gutmann is plainly fascinated by Lamaze’s extramarital activities—at one point the good doctor had a several mistresses living in his apartment building (and dining at his table) at the same time, because he preferred to be honest about the whole situation—but Lamaze’s conviction that the pain of childbirth could be all but eliminated without chemical intervention is the story’s focus. Hints came to Lamaze when he learned that women in Hawaii actually gave birth with a smile on their lips; he also discovered that in the Soviet Union a painless-birthing technique was being developed that took its cues from the research into reflexive conditioning of Pavlov and Velvoski. Petty rivalries in the medical profession slowed him, as did the Cold War—but Lamaze’s greatest obstacle was the deeply held belief that suffering had to attend childbirth: So inoculated for generations, women inevitably created a uterine contraction that was painful. Gutmann also makes it clear that the Lamaze method is not an easy six-step technique, but a pregnancy-long humanistic process involving the doctor, midwife, and partner—and that insurance companies are not prepared to pay for.
A revelatory look into Lamaze writ large—the man and the arduous process that gave birth to his pain-reducing approach. (8-page b&w photo insert)Pub Date: Aug. 1, 2001
ISBN: 0-312-26190-X
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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