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DRINKING

A LOVE STORY

She suggests that women are particularly vulnerable to the belief that the abuse of drink, drugs, and food can and will...

Boston columnist and New Woman contributing editor Knapp writes with unflinching honesty about her 20 years as an alcoholic, her struggle to overcome the addiction, and the special peril facing women drinkers.

Knapp was a drinker able to hold down a steady job while convincing herself (and others) that her drinking was not interfering with her life—that, in fact, it was making life easier. She drank to forget her problems or to get through a crisis. She rationalized the drinking by telling herself that she would stop after she came through an especially rough situation, never realizing that the drinking contributed to her difficulties. Knapp drank during her simultaneous involvement with two men, hiding each from the other. She drank through her parents' painful deaths a year apart, raiding their liquor cabinet, hiding bottles in the bathroom. The death of her prominent analyst father—and the subsequent realization that he, too, had been an alcoholic—started her on the slow path to recovery, although it was almost two years after his death before she checked herself into a clinic. His death made her wonder "if I would have been able to let go of alcohol without letting go of my father first.'' Through rehab and nightly AA meetings she was finally able to take control of her life. Knapp also suffered from anorexia during her 20s, and she believes that there is a link for women between food disorders, drinking, and other addictions.

She suggests that women are particularly vulnerable to the belief that the abuse of drink, drugs, and food can and will change them for the better—not realizing the terrible physical and emotional tolls of such behavior. Knapp is prone to repetitiousness, but this is still a soul-baring memoir with cogent insights into the nightmarish world of addiction.

Pub Date: June 1, 1996

ISBN: 0-385-31551-1

Page Count: 272

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

Awards & Accolades

  • Pulitzer Prize Finalist


  • National Book Critics Circle Finalist


  • National Book Award Winner

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THE YEAR OF MAGICAL THINKING

A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...

Awards & Accolades

  • Pulitzer Prize Finalist


  • National Book Critics Circle Finalist


  • National Book Award Winner

A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.

In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.

A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.

Pub Date: Oct. 19, 2005

ISBN: 1-4000-4314-X

Page Count: 192

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2005

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