A sensational new entry in the burgeoning millennial-novel genre.
A college student gets caught in the middle of a friend’s romance in this delightful Irish novel.
It’s 2009, the height of the economic recession, and as the end of Rachel Murray’s college degree looms, she can’t help feeling worried about having chosen to study English given the lack of job prospects. But then she develops a crush on Fred Byrne, her Victorian literature professor, a “huge” and “passionate” man whose most alluring quality is that his “wife had been a student.” Rachel’s new friend James Devlin—who insists he isn’t gay despite Rachel’s strong suspicions to the contrary—pushes her to pursue her crush by arranging for Dr. Byrne to have an event for his new book at the bookshop where they both work. At the reading, though, Dr. Byrne shows no interest in Rachel; instead, she walks in on him and James making out in the stockroom. This turns Rachel’s life on its head, but not in the ways she expected: Her friendship with James becomes more intimate, and now she has to keep secrets for Dr. Byrne, which becomes more complicated when she starts working for his wife, Aideen. This deliciously complex set of entanglements lays the groundwork for the novel, O’Donoghue’s first for adults to be published in the United States, and brings to mind the gossipy 19th-century novels Dr. Byrne might teach in class. But its true joys lie in the tremendously witty characters and their relationships: The real love story of this novel is not between James and Dr. Byrne, or Rachel and her own paramour, but between Rachel and James, whose codependent glee in each other’s company will remind many readers of their own college friendships, especially those between women and queer men.
A sensational new entry in the burgeoning millennial-novel genre.Pub Date: June 27, 2023
ISBN: 9780593535707
Page Count: 304
Publisher: Knopf
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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