The story is engaging as far as it goes, but such rich material cries out for greater narrative risks.
A wealthy man’s daughter breaks young F. Scott Fitzgerald’s heart and inspires the literature that defined a generation.
In 1915, a late-night kiss during a bobsled ride fuels a semester’s worth of torrid correspondence between Ginevra Perry, a boarder at the Westover School in Connecticut, and F. Scott Fitzgerald, a sophomore at Princeton. Once she is home in Lake Forest for the summer, however, Scott’s letters lose her interest, and his late August visit to her parent’s Italianate mansion is disastrous. Ginevra, whose favor has settled elsewhere, unceremoniously dumps Scott and marries Billy Granger, a dashing flyboy from her social set. After WWI, they move to Chicago and take their place in society. A few years later, Ginevra, unhappily pregnant with her second child and bored, reads an article about F. Scott Fitzgerald and his glamorous wife, Zelda. Ginevra scours Scott’s fiction and finds herself in many of his cold, shallow debutantes: Isabelle Borgé in This Side of Paradise, the Josephine Perry stories and, most famously, in Daisy Buchanan, the love of Jay Gatsby’s life. Keeping abreast of Scott and Zelda becomes Ginevra’s shadow life. She even travels to Paris in the hope of running into them, only to learn from Sylvia Beach that they have decamped to the south of France. Meanwhile, Ginevra’s marriage unravels and her son’s mental instability goes unnoticed. Eventually, a series of impulsive acts leads to a scandal and divorce. In 1936, Ginevra finds herself living in a one-bedroom apartment with a two-burner hotplate—once again mirroring Scott’s work (he has just published The Crack-Up). Preston (Jackie by Josie, 1997 etc.) bases her character on Fitzgerald’s real-life first love, Ginevra King, who was the prototype for many of the rich girls Fitzgerald’s “poor boy” characters shouldn’t marry.
The story is engaging as far as it goes, but such rich material cries out for greater narrative risks.Pub Date: May 1, 2006
ISBN: 0-618-53725-2
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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