Time spent with this strong, savvy female protagonist is time well spent, so long as readers focus on that journey

READ REVIEW

FREEDOM'S JUST ANOTHER WORD

Sometimes the journey is just as important as the destination.

The year is 1970. Biracial (black/white) aspiring blues singer Louisiana (better known as Easy) never feels quite at home in her Saskatoon neighborhood. One day, Easy is in the right place at the right time and meets her blues idol, Janis Joplin. When Joplin invites Easy to join her in Texas to meet some movers and shakers in the industry, the 18-year-old will do anything to get there—even if it means traveling across the U.S. with a pair of nuns. Race is a central topic in Stellings’ book. While Easy is no stranger to racism and microaggressions in Canada, she is unprepared for the blatant racism she experiences in the States; in one chilling instance, she’s threatened in a bar full of racists. Stellings also brings Joplin to life, capturing her vivacity without sugarcoating the toll that fame and addiction take on her. Still, although Stellings handles many sensitive issues such as race, tolerance, and addiction with care, parts of Easy’s story are rushed, particularly given the leisurely setup, and the climax fails to deliver.

Time spent with this strong, savvy female protagonist is time well spent, so long as readers focus on that journey . (Historical fiction. 14-18)

Pub Date: Sept. 13, 2016

ISBN: 978-1-77260-011-7

Page Count: 232

Publisher: Second Story Press

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Did you like this book?

No Comments Yet

This story is necessary. This story is important.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • Kirkus Prize
  • Kirkus Prize
    finalist

  • New York Times Bestseller

THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

Did you like this book?

An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

Did you like this book?

No Comments Yet
more