An extremely intimate narrative about Jamie, nine, that opens in the middle of a traumatic scene-his mother's lover throws Jamie's baby half-sister across the room, and his mother catches her and then closely follows the state of the boy's soul as he, his mother, and the baby move out of the house and into a trailer on top of a mountain. Written in the third-person, entirely from Jamie's point of view, the book tries to describe what Jamie feels, but what he himself might not yet be able to articulate. To this end, the narrative organizes his experience obliquely, whether by employing a poetic and repetitive prose style in order to convey the uneven manner in which emotions or episodes unfold or by stepping back from the protagonist by posing a question"Just who did Jamie think was going to open that door?" only to return to him immediately for the answer. In effect, Coman (Tell Me Everything, 1993, etc.) speaks for her hero with the intuitive understanding and empathy of a mother. The subjective impressions that she records are unmistakably those of a young boy, and Jaime's subjectivity becomes increasingly convincing; the cumulative effect is mesmerizing. Reading this short novella, readers will find themselves quickly slipping into a mode of thought analogous to the protagonist's. It's a profound characterization and a remarkable achievement in a book about ordinary people trying to put their lives in order. (Fiction. 8-10)
Pub Date: Sept. 15, 1995
ISBN: 1-886910-02-2
Page Count: 126
Publisher: Front Street/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
The second installment in this spirited series is a hit.
A new baby coming means Ryan has lots of opportunities to grow love.
Ryan has so much to look forward to this summer—she is going to be a big sister, and she finally gets to go to church camp! But new adventures bring challenges, too. Ryan feels like the baby is taking forever to arrive, and with Mom on bed rest, she isn’t able to participate in the family’s typical summer activities. Ryan’s Dad is still working the late shift, which means he gets home and goes to bed when she and her older brother, Ray, are waking up, so their quality daddy-daughter time is limited to one day a week. When the time for camp finally arrives, Ryan is so worried about bugs, ghosts, and sharing a cabin that she wonders if she should go at all. Watson’s heroine is smart and courageous, bringing her optimistic attitude to any challenge she faces. Hard topics like family finances and complex relationships with friends are discussed in an age-appropriate way. Watson continues to excel at crafting a sense of place; she transports readers to Portland, Oregon, with an attention to detail that can only come from someone who has loved that city. Ryan, her family, and friends are Black, and occasional illustrations by Mata spotlight their joy and make this book shine.
The second installment in this spirited series is a hit. (Fiction. 8-10)Pub Date: April 27, 2021
ISBN: 978-1-5476-0058-8
Page Count: 192
Publisher: Bloomsbury
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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