by Carolyn Forché ‧ RELEASE DATE: March 19, 2019
A valuable firsthand report of a time of terror.
A noted poet and activist recounts an odd season at the dawn of the civil war in El Salvador.
At the opening, Forché (English/Georgetown Univ.; Blue Hour, 2003, etc.) admits she had only a little knowledge of the Central American nation of El Salvador until the end of the 1970s. “What I knew of El Salvador, I knew from my Spanish professor in college, himself a Salvadoran,” as well as from translating the work of the poet Claribel Alegría. At the beginning of the narrative, the author recounts how she opened her door one day to a man whom Alegría had mentioned without much specificity: Leonel Gómez, a mysterious figure who sometimes seemed to be all things to all people. Gómez convinced Forché that she needed to see what was happening for herself, and off she went to a nation on the brink. A bête noire soon came into view: Colonel Chacón, “who chops off fingers and has people disemboweled.” Gómez was a born mansplainer, throwing out a sequence of lessons that prompted Forché to protest that she was smart enough to follow along, to which he replied, “Lesson three has nothing to do with you.” The remark was ominous, to say the least. Gómez, her Virgil, guided Forché into tight corners, such as the cramped office of a commander who earnestly asked, “what can we do to improve the situation?” Alas, the time for talking drew short, and the bullets began to fly—some of them, it seems, deliberately aimed at her. As Forché writes in her elegiac opening, “I will learn that the human head weighs about two and a half kilos, and a child’s head, something less.” Episode by episode, dodging death squads, Forché builds a story filled with violence and intrigue worthy of Graham Greene around which a river of blood flows—doing so, unstanched, with the avid support of America’s leaders.
A valuable firsthand report of a time of terror.Pub Date: March 19, 2019
ISBN: 978-0-525-56037-1
Page Count: 400
Publisher: Penguin Press
Review Posted Online: Dec. 29, 2018
Kirkus Reviews Issue: Feb. 1, 2019
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edited by Brett Fletcher Lauer ; Lynn Melnick ; introduction by Carolyn Forché
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PROFILES
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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by Jon Krakauer
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by Jon Krakauer
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by Jon Krakauer
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SEEN & HEARD
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