Lesser (What a Wonderful Day to be a Cow, 1995, etc.) weaves a surprising number of facts into a lyrical narrative about a year in the life of a polar bear. Readers learn how the bear's hollow white hairs gather sunlight while its black skin absorbs the heat, how it kills and eats and leaves behind meat for other, less able, animals. Some in the picture-book set will grow impatient with the long, poetic lines: “Great crystal bear, / Alone/In the vast winter darkness, / Are you the mystical Nanuk of Inuit legend, / A man who enters an igloo/And emerges a bear, dressed in fur?'' Noonan's impressive watercolor paintings have mostly soft blue backgrounds, rendering the white of the polar bear's fur luminous, but the environment is pristine and dreamy: This bear kills and consumes a couple of seals without shedding a drop of blood. The book works best as a complement to more straightforward books about the polar bear. (Picture book. 7-9)
Pub Date: March 1, 1996
ISBN: 0-15-200667-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1996
Categories: CHILDREN'S ANIMALS
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Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 1, 1999
Categories: CHILDREN'S ANIMALS
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Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Categories: CHILDREN'S ANIMALS | CHILDREN'S HISTORY
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