Immensely readable and interesting, this fictive diary of Anastasia, daughter of Czar Nicholas and Czarina Alexandra, imparts a good deal of history in an entertaining way. As the diary begins in 1914, 12-year-old Anastasia, the youngest of four sisters and the older sister of Alexei, has the normal complaints and comments of a girl with three older sisters, along with many observations unique to her circumstances and lifestyle. Political events are beginning to impinge even on Anastasia’s very protected life. “There are people who say the peasants are suffering, and blame it on Papa. There are even some people who believe that others should share in the rule of our country!” But life is not just unimaginable luxury for Anastasia and her sisters, although they live in beautiful palaces, travel on private trains, and have a wealth of servants. Aspects of their lives are spartan—the Czar insists they have “a good Russian breakfast” consisting of rye bread and herring every day, the four girls sleep on camp cots that they are required to make themselves each morning, and until recently cold baths were part of the morning routine. Anastasia is aware of the conflict between the notorious Rasputin, whom the Czarina credits with keeping her hemophiliac son Alexei alive, and the Czar, who distrusts and dislikes Rasputin. As WWI begins, Anastasia becomes more and more aware that life for her family is changing. Her diary covers the last five years of her life, taking us from her pampered life as a royal child, through the family’s house arrest in 1917, to their exile in Siberia, and finally, to their murders in Ekaterinburg on July 16, 1918. This is a story that will fascinate children for whom it will open a window into a foreign and bygone world that is not often covered in children’s historical fiction. This will be useful when the curriculum covers 20th-century Russia. Both biography lovers and fiction readers alike will gobble it up. (historical note, family tree, and other endnotes, photos, cast of characters) (Fiction. 9-14)
Pub Date: Sept. 1, 2000
ISBN: 0-439-12908-7
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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