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WHERE THE BROKEN HEART STILL BEATS

THE STORY OF CYNTHIA ANN PARKER

A fictionalized biography of a Texas frontierswoman, captured by Comanches when she was nine and returned to her family 24 years later. Meyer uses the sketchy historical record as framework for an imaginative reconstruction of the last few years of Parker's life as virtual prisoner of her well-meaning relatives, who refused to let her return to the tribe where she felt she belonged. There is little overt drama in those years spent in a limbo of loss and longing for her warrior husband and sons, shunted from one household to another and watching her small daughter become like the whites whose ways Cynthia Ann was unwilling to relearn. Meyer alternates between Cynthia Ann's viewpoint and the diary of a fictional younger cousin whose curiosity about Comanche life is used to explore differences between Indians' and settlers' ways. Her long-repressed memories of ``the time before the People'' return to her in an extended flashback describing her capture, the abuse and enslavement that followed, and the gradual fading of her ``white'' identity as she became a respected member of the band and the wife of a chief. It's a skillful examination of how individual identity is determined by cultural and social structures, and of what happens when these are drastically altered. Historical note; portrait. Bibliography not seen. (Fiction. 10+)

Pub Date: Oct. 1, 1992

ISBN: 0-15-200639-7

Page Count: 192

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1992

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THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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IQBAL

This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)

Pub Date: Nov. 1, 2003

ISBN: 0-689-85445-5

Page Count: 128

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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