by Carolyn Murnick ‧ RELEASE DATE: June 20, 2017
An original and engaging, if uneven, fusion of memoir and true-crime.
A New York media worker tries to comprehend a glamorous friend’s murder.
In her debut book, Murnick, an online editor at New York magazine, considers heady themes of sexuality, violence, and childhood loyalties. She writes in a breezy, flowing style that is observational yet inconsistent, at times parsing details with sharp terseness, elsewhere turning her consideration toward inward ruminations. She and Ashley, her best friend from suburban New Jersey, were already drifting apart when, in 2001, 21-year-old Murnick was shocked by news of Ashley’s murder in Los Angeles, particularly since Ashley had revealed to the author her dabblings in the sex-and-drugs underground of LA celebrity culture. “Eight months later she was dead,” writes Murnick, “and I was reading about it in the paper, trying to convince myself that it didn’t matter to me as much as it did. I knew that I had just about let her go in the months leading up to things, and it was impossible to know if we would have found our way back together.” The case was cold for years until the startling arrest of Michael Gargiulo, a neighbor and suspected serial killer. Linked by DNA evidence to at least two similar slayings, he’d ingratiated himself into Ashley’s social circle by offering conveniently timed home repairs (Murnick’s depiction of this provides an excellent guide to spotting sociopaths). The author attended the long pretrial hearings for the accused, meeting Ashley’s still-mourning LA friends and reconstructing a fuller portrait of Ashley’s “secret” life, which under scrutiny appeared both decadent and naïve: “Ashley didn’t deserve any of this. She had suddenly been made into a public figure for the worst possible reason.” There are powerful vignettes throughout, as the author describes her encounters with figures ranging from the meditative defense attorney to jaded reality TV journalists, but since Gargiulo’s trial has been delayed indefinitely, the narrative feels unresolved, with an increasing emphasis on inward observation.
An original and engaging, if uneven, fusion of memoir and true-crime.Pub Date: June 20, 2017
ISBN: 978-1-4516-2581-3
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 8, 2017
Kirkus Reviews Issue: June 1, 2017
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by Mandy Matney with Carolyn Murnick
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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