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THE HOT ONE

A MEMOIR OF FRIENDSHIP, SEX, AND MURDER

An original and engaging, if uneven, fusion of memoir and true-crime.

A New York media worker tries to comprehend a glamorous friend’s murder.

In her debut book, Murnick, an online editor at New York magazine, considers heady themes of sexuality, violence, and childhood loyalties. She writes in a breezy, flowing style that is observational yet inconsistent, at times parsing details with sharp terseness, elsewhere turning her consideration toward inward ruminations. She and Ashley, her best friend from suburban New Jersey, were already drifting apart when, in 2001, 21-year-old Murnick was shocked by news of Ashley’s murder in Los Angeles, particularly since Ashley had revealed to the author her dabblings in the sex-and-drugs underground of LA celebrity culture. “Eight months later she was dead,” writes Murnick, “and I was reading about it in the paper, trying to convince myself that it didn’t matter to me as much as it did. I knew that I had just about let her go in the months leading up to things, and it was impossible to know if we would have found our way back together.” The case was cold for years until the startling arrest of Michael Gargiulo, a neighbor and suspected serial killer. Linked by DNA evidence to at least two similar slayings, he’d ingratiated himself into Ashley’s social circle by offering conveniently timed home repairs (Murnick’s depiction of this provides an excellent guide to spotting sociopaths). The author attended the long pretrial hearings for the accused, meeting Ashley’s still-mourning LA friends and reconstructing a fuller portrait of Ashley’s “secret” life, which under scrutiny appeared both decadent and naïve: “Ashley didn’t deserve any of this. She had suddenly been made into a public figure for the worst possible reason.” There are powerful vignettes throughout, as the author describes her encounters with figures ranging from the meditative defense attorney to jaded reality TV journalists, but since Gargiulo’s trial has been delayed indefinitely, the narrative feels unresolved, with an increasing emphasis on inward observation.

An original and engaging, if uneven, fusion of memoir and true-crime.

Pub Date: June 20, 2017

ISBN: 978-1-4516-2581-3

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 8, 2017

Kirkus Reviews Issue: June 1, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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