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MAKING A LITERARY LIFE

ADVICE FOR WRITERS AND OTHER DREAMERS

Smart, savvy, and sensible.

A beginner’s guide to the craft of writing and the business of publishing, from veteran novelist See (The Handyman, 1999, etc.).

“This book is for the timid, forlorn, and clueless,” declares the author, who is none of the above. Her chatty, breezy text aims to build the confidence and coping skills of people who, like the 32-year-old Californian divorced mother of two See once was, dream of making a career as a writer but don’t know how to go about it. Part One, “Before,” offers a framework for getting down to work. The fundamentals? “A thousand words a day, five days a week, and one charming note written to someone in the literary world who makes your hands sweat—five days a week, for the rest of your life.” The charming note, along with the cheerful replies to rejection letters that See also mandates, make aspiring writers human to the jaded New York insiders who determine their literary fate: “like everyone else in the world, [publishing professionals] like to hang out with their friends instead of strangers.” Sound but unsurprising advice on identifying your material, startling but not entirely flaky suggestions about using affirmations (“I’m powerful, loving, and creative”) to bolster your courage, and straightforward guidance on how to send out a manuscript round out this section. Part Two, “The Writing,” covers character, plot, point of view, scene setting and construction, and revisions—it’s helpful if not innovative material presented with the sharp humor and judicious use of personal anecdotes that enliven the whole. Part Three, “During and After,” is a must for first-time authors who don’t realize how much their successful publication depends on their efforts, from throwing their own parties to arranging local bookstore signings, and how short the time frame is. (“Four months after your book is published, it’s dead.”) See’s comments on magazine writing—forget query letters; send notes describing the piece, then send the piece—are equally shrewd. “Living a literary life is a marriage,” she writes: romance is part of it, but so is hard work.

Smart, savvy, and sensible.

Pub Date: Aug. 20, 2002

ISBN: 0-679-46316-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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