Uneven but never dull, See’s seventh (after The Handyman, 1999, etc.) throws an idiosyncratic light on our contemporary age...



Death jostles a diverse group of Californians but it’s the life force that prevails here.

Los Angeles, 2001. Edith is a well-heeled white Angeleno. Her beloved second husband Charlie dies in her arms after a long illness. The next morning, she watches on television the collapse of the Twin Towers, but the catastrophe doesn’t amount to a hill of beans next to her own loss. Her reaction sets the tone for a novel that elevates personal pain and joy above collective anxiety and jingoism. On to 2007. The war in Iraq drags on; everybody is edgy. Edith, a lonely widow, is a volunteer receptionist at UCLA Medical Center, where her son, Phil Fuchs, is a dermatologist. Phil has problems at home. His whiny wife Felicia is worried about aging. Daughter Eloise is an obnoxious brat. Vernon, 11, for whom Phil feels a “terrible, soft, embarrassing love,” is acting up like crazy. At the hospital, he’s chosen to join a top-secret team organized by the military to treat future bioterrorism victims; he is refused permission to leave the program when he becomes disaffected. In the reception room, two families are on tenterhooks. The Barclays and their daughter Andrea are hoping for a kidney for her father, a university lecturer, who is fading fast. The other family are recent Chinese immigrants; an uncle is on a respirator. Danny has seen Andrea in undergraduate poetry class. Almost before they know what’s happening, they’re making love in the campus Botanical Garden; mutual desire is that strong, and it keeps death at bay. Phil’s world comes crashing down when he finds Felicia flaunting her lover Larry (“in security”) at her 40th birthday bash. Divorce looms, and prospective stepfather Larry is threatening Vern with military school. Disregarding a hospital emergency summons, Phil acts fast to save Vern and himself; it’s a gloriously improbable plan, but it works.

Uneven but never dull, See’s seventh (after The Handyman, 1999, etc.) throws an idiosyncratic light on our contemporary age of anxiety.

Pub Date: May 23, 2006

ISBN: 0-679-46317-8

Page Count: 256

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2006

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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