by Carrie Fountain ‧ RELEASE DATE: July 10, 2018
A beautiful new voice to watch.
In the process of searching for important people who have disappeared from her life, Miranda finds herself.
Ever since her Latina mother left to join a religious cult, biracial Miranda has been raised by her caring white dad who works for NASA in New Mexico. Coincidentally, her best friend, Sydney, had an alcoholic mother who also abandoned the family. Even though Syd hasn’t had it as easy as Mir, she’s always been supportive of her, especially after the “Nick Allison Event,” when Mir’s date bailed on prom night. But then Syd vanishes too, leaving only a note: “I’m gone. I’m not missing.” As Mir starts to piece together clues about Syd in this debut novel, the light thriller turns to romance à la John Green, with impeccable realism and spot-on dialogue. Mir also learns the truth about her longtime crush, Nick, and what really happened on prom night. Mir’s an endearing teen who chants the Gettysburg Address in place of religious mantras in times of stress, feels safe asking her dad tough questions about first love, and takes control of her body (and pleasure) when it comes to sex. While Mir and Nick’s relationship builds, the author never lets the mystery falter as she keeps readers guessing about Syd’s secrets and whereabouts. The ending is really a beginning as Mir finds both support and inner resilience.
A beautiful new voice to watch. (Fiction. 14-18)Pub Date: July 10, 2018
ISBN: 978-1-250-13251-2
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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by Nic Stone ‧ RELEASE DATE: Oct. 17, 2017
Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in...
In this roller-coaster ride of a debut, the author summons the popular legacy of Martin Luther King Jr. to respond to the recent tragic violence befalling unarmed black men and boys.
Seventeen-year-old black high school senior Justyce McAllister, a full-scholarship student at the virtually all-white Braselton Prep, is the focus. After a bloody run-in with the police when they take his good deed for malice, Justyce seeks meaning in a series of letters with his “homie” Dr. King. He writes, “I thought if I made sure to be an upstanding member of society, I’d be exempt from the stuff THOSE black guys deal with, you know?” While he’s ranked fourth in his graduating class and well-positioned for the Ivy League, Justyce is coming to terms with the fact that there’s not as much that separates him from “THOSE black guys” as he’d like to believe. Despite this, Stone seems to position Justyce and his best friend as the decidedly well-mannered black children who are deserving of readers’ sympathies. They are not those gangsters that can be found in Justyce’s neighborhood. There’s nuance to be found for sure, but not enough to upset the dominant narrative. What if they weren’t the successful kids? While the novel intentionally leaves more questions than it attempts to answer, there are layers that still remain between the lines.
Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in the face. Take interest and ask questions. (Fiction. 14-18)Pub Date: Oct. 17, 2017
ISBN: 978-1-101-93949-9
Page Count: 224
Publisher: Crown
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Elizabeth Acevedo ‧ RELEASE DATE: March 6, 2018
Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s...
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Poetry helps first-generation Dominican-American teen Xiomara Batista come into her own.
Fifteen-year old Xiomara (“See-oh-MAH-ruh,” as she constantly instructs teachers on the first day of school) is used to standing out: she’s tall with “a little too much body for a young girl.” Street harassed by both boys and grown men and just plain harassed by girls, she copes with her fists. In this novel in verse, Acevedo examines the toxicity of the “strong black woman” trope, highlighting the ways Xiomara’s seeming unbreakability doesn’t allow space for her humanity. The only place Xiomara feels like herself and heard is in her poetry—and later with her love interest, Aman (a Trinidadian immigrant who, refreshingly, is a couple inches shorter than her). At church and at home, she’s stifled by her intensely Catholic mother’s rules and fear of sexuality. Her present-but-absent father and even her brother, Twin (yes, her actual twin), are both emotionally unavailable. Though she finds support in a dedicated teacher, in Aman, and in a poetry club and spoken-word competition, it’s Xiomara herself who finally gathers the resources she needs to solve her problems. The happy ending is not a neat one, making it both realistic and satisfying. Themes as diverse as growing up first-generation American, Latinx culture, sizeism, music, burgeoning sexuality, and the power of the written and spoken word are all explored with nuance.
Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s name: “one who is ready for war.” (Verse fiction. 14-18)Pub Date: March 6, 2018
ISBN: 978-0-06-266280-4
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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