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A WARM WINTER TAIL

A good first look at adaptations that stands above others despite its sometimes imperfect comparisons to humans.

A cozy “tail” compares the adaptations animals and humans have for surviving winter’s chill.

Baby animals ask grown-ups how humans keep warm in the winter. A fox kit asks, “How do humans keep warm in the winter, Mama? / Do they wrap their tails tight / ’round their bodies just right / as heaters to chase out the chill?” Mama answers, “No fur tail for draping, / for covering and caping; / their blankets are cotton and wool.” Each baby in turn asks if humans adapt as they do. The wide variety of animals portrayed ensures that most winter adaptations are covered, though camouflage is lacking. The responses vary in their success (or failure) at conveying humans’ comparable ways of combatting the cold, and the rhythm sometimes stumbles. The “For Creative Minds” section includes a spread of extensive further information and two pages of activities—matching animal to adaptation (the only place where the animals are identified by captioned thumbnails) and then sorting the animals into their four classes. More activities and learning materials are on the publisher’s website. Wald’s lifelike illustrations incorporate speech bubbles for the babies’ questions and include humorous imaginings of how humans would look with animals’ adaptations, e.g., a child with butterfly wings.

A good first look at adaptations that stands above others despite its sometimes imperfect comparisons to humans. (Informational picture book. 3-7)

Pub Date: Aug. 10, 2012

ISBN: 978-1-607185-291

Page Count: 32

Publisher: Sylvan Dell

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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