Caregivers of grumpy young listeners may not be entirely convinced by Hank’s relatively rapid turnaround, but the closing...
A grumpy cactus learns that sharing affection feels good.
Hank sits in a round pot in the window of an adobe structure surrounded by desert. According to the straightforward text, “It was hot, dry, peaceful, and quiet. Just the way Hank liked it.” Soon enough, however, the peace is punctured by a number of creatures passing by. Rosie the Tumbleweed calls a cheerful greeting, as do a timid turtle, a jackrabbit, and a coyote, among others. Hank hollers at each of them, but after a cowboy points out that “nobody hugs a cactus,” Hank can’t quite shake the feeling that he’s missing something. When Rosie rolls by again and does him a favor, he decides to reciprocate, which leads to a hug after all. Watercolor illustrations allow the paper’s texture to show through and feature sandy golds, subtle greens, and an expanse of sky that moves from clear blues to pinks, reds, and purples to indicate the passage of time. Goodrich imbues Hank with plenty of personality. He’s spike-headed with two stubby arms, and he looks alternately cranky, forlorn, shocked, and friendly. Elongated shapes and unusual perspectives add interest and complement the low-key, conversational text.
Caregivers of grumpy young listeners may not be entirely convinced by Hank’s relatively rapid turnaround, but the closing thought (“After all, it’s better to be stuck in a hug than stuck all alone”) is one that can be embraced by all. (Picture book. 4-8)Pub Date: April 16, 2019
ISBN: 978-1-5344-0090-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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BOOK REVIEW
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