by Cass R. Sunstein ‧ RELEASE DATE: Feb. 9, 2021
A provocative examination of social constructs and those who would alternately undo or improve them.
An excursus in the realm of the normal and normative and how we define them.
Covid-19, Donald Trump, cyberwarfare: All these are signs that things are not “normal.” But what does normality constitute? Norms, writes Harvard Law School professor Sunstein, are generally if sometimes loosely agreed upon guidelines that govern our behavior. We agree, by consensus and often by law, that one should not smoke in church or call 911 to report a leaking spigot. But what happens when a norm iconoclast comes into the picture? Among other things, the elevation of Trump to national power “weakened the social norm against supporting anti-immigrant groups,” and it freed many Americans to spout the vilest of sentiments. “When norms begin to loosen, people start to say what they actually think,” Sunstein adds, and what they think can be quite awful. Norms can be positively constructed, though. The author notes that the arrival of the pandemic has put new practices in place that forgo handshaking and promote hand-washing instead. Authoritarians can be what Sunstein calls “norm entrepreneurs,” but then again, so can the democratically minded, leading to the common situation where one person’s norm is another person’s form of oppression. Sunstein takes a long look at institutions that are meant to uphold democratic norms. In an especially inspired moment, he rejects Winston Churchill’s notion that democracy is the worst form of government save for all the others and instead upholds it at least in part because the citizenry establishes normative behavior. By virtue of that fact, norms can come and go for better (civil rights for all) or worse (cancel culture), leading Sunstein to conclude, “An appreciation of the paradox—the simultaneous power and fragility of the normal—attests to one fact above all: human beings are astonishingly resilient.”
A provocative examination of social constructs and those who would alternately undo or improve them.Pub Date: Feb. 9, 2021
ISBN: 978-0-300-25350-4
Page Count: 208
Publisher: Yale Univ.
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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by Jill Lepore ‧ RELEASE DATE: Aug. 25, 2026
A deeply learned dive into the frightening visions of technocrats past and present.
The noted historian and New Yorker staffer looks into a future ruled by machines.
Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”
A deeply learned dive into the frightening visions of technocrats past and present.Pub Date: Aug. 25, 2026
ISBN: 9781324098423
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
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PERSPECTIVES
PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn
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