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NEBULA AWARDS SHOWCASE 2013

Essential fare for short story aficionados, even though some of the contents have appeared in other collections.

Despite being dated 2013, this edition of the Nebula Awards Showcase presents the winning and nominated stories as voted by the members of the Science Fiction & Fantasy Writers of America for the year 2011. Better late than never.

Ken Liu deservedly won the short story award for “The Paper Menagerie,” a delicately wrought magic-realist tale of a Chinese girl purchased and brought to America as a bride, which packs enough emotional power to melt a heart of stone. Best novella winner Kij Johnson offers an engagingly populated and artfully rendered story of an engineer bridging a most peculiar and dangerous river. “What We Found,” by Geoff Ryman (best novelette), takes a single scientific principle and integrates it, perfectly and tellingly, into real life. Connie Willis was presented with a Grand Master Award, and her story of political correctness run amok, “Ado,” illustrates the comic brilliance found in much of her work. For the other winners, there are excerpts from Jo Walton’s best novel, Among Others, and Delia Sherman’s The Freedom Maze (Andre Norton Award), with poetry (Rhysling Awards) represented by C.S.E. Cooney (long) and Amal El-Mohtar (short), and an essay from Solstice Award winner John Clute. Elsewhere, E. Lily Yu's smart, predatory wasps draw intricate, exact maps and enslave anarchist bees; Carolyn Ives Gilman writes of genocide, education, and mothers and daughters; Ferrett Steinmetz describes life in wartime aboard a space station; Nancy Fulda writes of a “cure” for autism; David Goldman offers a multiple-choice story that both is and isn’t; Brad R. Torgersen describes how compelling our memories of sunlight can be; and Katherine Sparrow weighs in with a sort of futuristic They Shoot Horses Don’t They?

Essential fare for short story aficionados, even though some of the contents have appeared in other collections.

Pub Date: May 14, 2013

ISBN: 978-1-61614-783-9

Page Count: 380

Publisher: Pyr/Prometheus Books

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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