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ALL GOOD CHILDREN

A shaded morality tale about individuality.

A corporate-controlled city decides to optimize its schools' efficiency by adjusting students' temperaments. 

Max Connors and his family live in New Middletown, a city that puts the gate in gated community. Only the most fortunate live in one of Chemrose International's six cities, protected from the crime, terrorism and poverty of the world at large. But the socioeconomically isolated enclave populated by a mix of natural and genetically selected children has its share of troublemakers, like Max. A bundle of contradictions, Max is a sensitive artist, a caring older brother and a vandal who fights at school while maintaining impressive grades. And there is a lot of pressure to stay academically successful—those who don't keep up in academic school get sent to trade school as throwaways. Max worries that his younger sister, Ally, won't be able to keep up with her classmates. His anxiety increases when students start acting like perfectly obedient zombies after receiving a vaccine that's being deployed one grade at a time. Austen uses Max as a prism in this novel of ideas. As one of the few students able to secretly avoid the treatment, he demonstrates a remarkable and situational moral compass by becoming the only person trying to fight the program itself. While he dabbles in juvenile delinquency on a personal level, when Max sees a larger picture he confronts it, standing up for what he thinks is right despite differing amounts of personal risk. Just trying to keep ownership of his mind, Max's actions send ripples of consequences farther than he could possibly imagine.

A shaded morality tale about individuality. (Dystopia. 12 & up)

Pub Date: Oct. 1, 2011

ISBN: 978-1-55469-824-0

Page Count: 312

Publisher: Orca

Review Posted Online: Aug. 23, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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