by Catherine Austen ‧ RELEASE DATE: Oct. 1, 2011
A shaded morality tale about individuality.
A corporate-controlled city decides to optimize its schools' efficiency by adjusting students' temperaments.
Max Connors and his family live in New Middletown, a city that puts the gate in gated community. Only the most fortunate live in one of Chemrose International's six cities, protected from the crime, terrorism and poverty of the world at large. But the socioeconomically isolated enclave populated by a mix of natural and genetically selected children has its share of troublemakers, like Max. A bundle of contradictions, Max is a sensitive artist, a caring older brother and a vandal who fights at school while maintaining impressive grades. And there is a lot of pressure to stay academically successful—those who don't keep up in academic school get sent to trade school as throwaways. Max worries that his younger sister, Ally, won't be able to keep up with her classmates. His anxiety increases when students start acting like perfectly obedient zombies after receiving a vaccine that's being deployed one grade at a time. Austen uses Max as a prism in this novel of ideas. As one of the few students able to secretly avoid the treatment, he demonstrates a remarkable and situational moral compass by becoming the only person trying to fight the program itself. While he dabbles in juvenile delinquency on a personal level, when Max sees a larger picture he confronts it, standing up for what he thinks is right despite differing amounts of personal risk. Just trying to keep ownership of his mind, Max's actions send ripples of consequences farther than he could possibly imagine.
A shaded morality tale about individuality. (Dystopia. 12 & up)Pub Date: Oct. 1, 2011
ISBN: 978-1-55469-824-0
Page Count: 312
Publisher: Orca
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
Share your opinion of this book
More by Catherine Austen
BOOK REVIEW
by Catherine Austen & illustrated by Virginie Egger
BOOK REVIEW
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Share your opinion of this book
More About This Book
by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Share your opinion of this book
More by Adam Silvera
BOOK REVIEW
by Adam Silvera
BOOK REVIEW
by Adam Silvera
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.