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ALL GOOD CHILDREN

A shaded morality tale about individuality.

A corporate-controlled city decides to optimize its schools' efficiency by adjusting students' temperaments. 

Max Connors and his family live in New Middletown, a city that puts the gate in gated community. Only the most fortunate live in one of Chemrose International's six cities, protected from the crime, terrorism and poverty of the world at large. But the socioeconomically isolated enclave populated by a mix of natural and genetically selected children has its share of troublemakers, like Max. A bundle of contradictions, Max is a sensitive artist, a caring older brother and a vandal who fights at school while maintaining impressive grades. And there is a lot of pressure to stay academically successful—those who don't keep up in academic school get sent to trade school as throwaways. Max worries that his younger sister, Ally, won't be able to keep up with her classmates. His anxiety increases when students start acting like perfectly obedient zombies after receiving a vaccine that's being deployed one grade at a time. Austen uses Max as a prism in this novel of ideas. As one of the few students able to secretly avoid the treatment, he demonstrates a remarkable and situational moral compass by becoming the only person trying to fight the program itself. While he dabbles in juvenile delinquency on a personal level, when Max sees a larger picture he confronts it, standing up for what he thinks is right despite differing amounts of personal risk. Just trying to keep ownership of his mind, Max's actions send ripples of consequences farther than he could possibly imagine.

A shaded morality tale about individuality. (Dystopia. 12 & up)

Pub Date: Oct. 1, 2011

ISBN: 978-1-55469-824-0

Page Count: 312

Publisher: Orca

Review Posted Online: Aug. 23, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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