by Catherine Belton ‧ RELEASE DATE: June 9, 2020
An eyebrow-raising book that, among other things, helps connect some of the dots of the Mueller Report.
Carefully detailed account of the rise of Vladimir Putin and the restoration of Russia to Soviet-era power.
A Reuters correspondent and former Moscow bureau chief for the Financial Times, Belton recalls a time, 25-odd years ago, when it seemed possible that Russia might become a democracy with a thriving economy. Then came the era of the oligarchs, who, protected by Boris Yeltsin, cornered big pieces of the newly open market economy. It didn’t last long. As Putin rose to power, he proceeded to “rein in the market freedoms of the Yeltsin era, and to launch a takeover by the state.” That project involved neutralizing enemies—and then, writes Belton, turning on former allies, a process Americans have seen in the actions of the Trump administration. By the author’s account, Trump’s fortunes are bound up in Putin’s, and both represent what one Putin associate exalts as a defeat of “the neocons who thought they controlled the whole world.” According to Belton, while the extent of the connection will likely never be known, Trump has been the beneficiary of Russian cash since at least 1990, when Russian banks floated funds to extract his organization from bankruptcy. One Russian executive has claimed that Trump has received hundreds of millions of dollars from Russian funders who will likely never see the money again, all in the interest of providing “an opportunity to further compromise the future president” and, as a larger goal, “to undermine and corrupt the institutions and democracies of the West.” All that, of course, is straight out of the KGB playbook as enacted by Putin’s lieutenants around the world, with the state’s extensive financial resources at their disposal. Much of Belton’s story has been related in earlier books, but none with so specific a focus on those shadowy aides and their actions.
An eyebrow-raising book that, among other things, helps connect some of the dots of the Mueller Report.Pub Date: June 9, 2020
ISBN: 978-0-374-23871-1
Page Count: 640
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Kamala Harris ; illustrated by Mechal Renee Roe
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by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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