Carefully detailed account of the rise of Vladimir Putin and the restoration of Russia to Soviet-era power.
A Reuters correspondent and former Moscow bureau chief for the Financial Times, Belton recalls a time, 25-odd years ago, when it seemed possible that Russia might become a democracy with a thriving economy. Then came the era of the oligarchs, who, protected by Boris Yeltsin, cornered big pieces of the newly open market economy. It didn’t last long. As Putin rose to power, he proceeded to “rein in the market freedoms of the Yeltsin era, and to launch a takeover by the state.” That project involved neutralizing enemies—and then, writes Belton, turning on former allies, a process Americans have seen in the actions of the Trump administration. By the author’s account, Trump’s fortunes are bound up in Putin’s, and both represent what one Putin associate exalts as a defeat of “the neocons who thought they controlled the whole world.” According to Belton, while the extent of the connection will likely never be known, Trump has been the beneficiary of Russian cash since at least 1990, when Russian banks floated funds to extract his organization from bankruptcy. One Russian executive has claimed that Trump has received hundreds of millions of dollars from Russian funders who will likely never see the money again, all in the interest of providing “an opportunity to further compromise the future president” and, as a larger goal, “to undermine and corrupt the institutions and democracies of the West.” All that, of course, is straight out of the KGB playbook as enacted by Putin’s lieutenants around the world, with the state’s extensive financial resources at their disposal. Much of Belton’s story has been related in earlier books, but none with so specific a focus on those shadowy aides and their actions.
An eyebrow-raising book that, among other things, helps connect some of the dots of the Mueller Report.Pub Date: June 9, 2020
ISBN: 978-0-374-23871-1
Page Count: 640
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Categories: CURRENT EVENTS & SOCIAL ISSUES | POLITICAL & ROYALTY | INTERNATIONAL RELATIONS | WORLD | WORLD | MODERN
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Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.
In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.
A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.Pub Date: May 31, 2022
ISBN: 978-0-316-39245-7
Page Count: 272
Publisher: Little, Brown
Review Posted Online: March 11, 2022
Kirkus Reviews Issue: April 1, 2022
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A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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