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UNDER THE UMBRELLA

Memorable and instructive without a hint of didacticism.

A grumpy man fights a rainstorm and other pedestrians but learns a lesson when his umbrella goes flying.

Pithy poetry pairs with artful illustrations in this Canadian import, translated from the French. A dark double-page landscape of gray rooftops pelted with rain shows a swath of white light shading into yellow. In the upper right-hand corner is the couplet, “He grumbled at the raindrops / on the rooftops of the town.” And in the next two-page spread, “He growled at the clouds / and at the crowds / that slowed him down.” The wind is so strong the grumpy white man bends nearly double against it. In the distance is a patisserie with a red-and-white–striped awning and a little white boy staring, “entranced,” into the window. The man sees none of this. A gust of wind sends his umbrella flying, and the little boy catches and returns it, immediately returning his attention to the window of treats. With just a moment’s hesitation, the man hands the umbrella back to the boy, enters the shop, and buys a juicy raspberry tart for the boy. When he shares half of it with the man, the atmosphere beneath the umbrella is transformed to tropical sunlight. Arbona’s fantastical illustrations play with perspective, shape, and pops of bright color that enliven scenes primarily composed of black, gray, and white. Buquet’s text is translated into well-crafted verse by Woods.

Memorable and instructive without a hint of didacticism. (Picture book. 4-8)

Pub Date: March 1, 2017

ISBN: 978-1-7727-8016-1

Page Count: 32

Publisher: Pajama Press

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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