Cookson (The Lady on My Left, p. 1413) bestows an emotional grandeur on the circumscribed lives of her working-class...
First US publication of a 1952 novel by the late Dame Catherine—and a good one: Cain and Abel on the Tyneside docks.
Young and strapping John O’Brien has a romantic heart and a poetic way, though all that’s no use as he looks for work unloading freighters. His mother, Mary Ellen, is pregnant once more, with many mouths to feed already. Devout Catholics, the family is frightened by the Protestant spiritualists who move into the flat above, determined to help the afflicted—and the old man and his granddaughter Christine do somehow save Mary Ellen from a childbirth end, though her newborn dies. Healed, she struggles on against soul-destroying poverty, not helped much by husband Shane, an alcoholic who suffers from tremors. But Shane can still knock down his other son, Dominic, a violent, almost fiendish brute who spends his pay on drink and whores. Meanwhile, good son John adores younger sister Katie, a shy and studious lass, and believes in her dream of becoming a teacher someday—didn’t Miss Llewellyn say she could do it? Mary Llewellyn is a teacher herself, a vision of elegance and breeding to this rough lot, the daughter of an erstwhile dockworker who’s now a respected boat-builder with his own yard, while her mother, a sharp-tongued social climber, is aghast to see her daughter keep company with John. She’s not the only one: Dominic erupts with jealous rage when John becomes a gaffer who hires and oversees the dockworkers. First, Dominic beguiles a simple-minded girl and gets her pregnant, then starts scurrilous rumors that John’s the culprit. When he sets Kate and Christine adrift on a boat, all of Tyneside sees the girls drown. Knowing he’ll never have his Mary now, John hunts his evil brother from house to house, bent on a terrible revenge.
Cookson (The Lady on My Left, p. 1413) bestows an emotional grandeur on the circumscribed lives of her working-class characters, and her vividly written tale has real power.Pub Date: Dec. 3, 2002
ISBN: 0-7432-3678-5
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
As they say at the restaurant: pick up!
An ingénue from the Midwest learns the ways of the world, and the flesh, during her year as a back waiter at a top Manhattan restaurant.
A flurry of publicity surrounded the acquisition of this book, which was pitched by an MFA–grad waitress to an editor dining at one of her tables. Danler’s debut novel takes place behind the scenes of a restaurant in Union Square whose rigid hierarchy, arcane codes of behavior, and basis in servitude and manual labor makes it less like a modern workplace than the royal court of 18th-century France—but with tattoos and enough cocaine to rival Jay McInerney. There’s even a Dangerous Liaisons–type love triangle with the beautiful, naïve young narrator at its apex, batted between the mysterious, brilliant waitress who teaches her about wine and the dissolute, magnetic bartender who teaches her about oysters. The older woman says things like, “I know you. I remember you from my youth. You contain multitudes.” The older man “was bisexual, he slept with everyone, he slept with no one. He was an ex-heroin addict, he was sober, he was always a little drunk.” What 22-year-old could ever resist them? The writing is mostly incandescent, with visceral and gorgeous descriptions of flavors, pitch-perfect overheard dialogue, deep knowledge of food, wine, and the restaurant business, and only occasional lapses into unintentional pretentiousness. From her very first sentences—“You will develop a palate. A palate is a spot on your tongue where you remember. Where you assign words to the textures of taste. Eating becomes a discipline, language-obsessed. You will never simply eat food again”—Danler aims to mesmerize, to seduce, to fill you with sensual cravings. She also offers the rare impassioned defense of Britney Spears.
As they say at the restaurant: pick up!Pub Date: May 24, 2016
ISBN: 978-1-101-87594-0
Page Count: 368
Publisher: Knopf
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
PROFILES
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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